“Distant” beings or “human” beings: real images of violence and strategies of implication or distancing from victims
Main Article Content
Abstract
Keywords
References
Albero, M. (2011). Televisión, violencia y sexo en la adolescencia. Barcelona: Octaedro.
Aran-Ramspott, S. & Rodrigo-Alsina M. (2012). La interpretación infantil de la violencia en la ficción televisiva. La noción de realismo de proximidad. Cultura y educación 24(4), 489- 504.
Benin, D. & Cartwright, L. (2006). Shame, empathy and looking practices: Lessons from a disability studies classroom. Journal of Visual Culture 5(2), 155-171.
Bilandzic, H. & Busselle, R.W. (2011). Enjoyment of films as a function of narrative experience, perceived realism and transportability. Communications 36(1), 29-50.
Boltanski, L. (1999). Distant Suffering. Morality, Media and Politics. Cambridge: Cambridge University Press.
Boyle, K. (2005). Media and violence. Gendering the debates. London: Sage.
Butler, J. (2010). Marcos de guerra. Las vidas lloradas. Barcelona: Paidós Ibérica Buttny, R. & Ellis, D.G. (2007). Accounts of violence from Arabs and Israelis on Nightline. Discourse & Society 18(2), 139-163.
Callejo, J. (2014). La juventud producida por el sistema de comunicación mediada. In A. Huertas & M. Figueras (Eds.), Audiencias juveniles y cultura digital (pp. 13-34). Bellaterra: Institut de la Comunicació, UAB.
Carrabine, E. (2014). Seeing things: Violence, voyeurism and the camera. Theoretical Criminology 18(2), 134-158.
Chouliaraki, L. (2006). The aestheticization of suffering on television. Visual Communication 5(3), 261–285.
Cohen, J. (2001). Defining identification: A theoretical look at the identification of audiences with media characters. Mass Communication & Society 4(3), 245-264.
Cohen, J. (2004). Para-social breakup from favorite television characters: The role of attachment styles and relationship intensity. Journal of Social and Personal Relationships 21(2), 187-202.
Cohen, S. (2001). States of Denial: Knowing About Atrocities and Suffering. Cambridge: Polity Press.
Dayan, D. (Dir.) (2006). La terreur spectacle: Terrorisme et télévision. Paris: De Boek et INA.
Ellis, J. (2000). Seeing things: Television in an age of uncertainty. London: IB Tauris.
Ellis, J. (2009). Mundane Witnessing. In P. Frosh & A. Pinchevski (Eds.), Media Witnessing: Testimony in the Age of Mass Communication (pp. 73-88). London: Palgrave-Macmillan.
Fernández Villanueva, C., Revilla, J.C. & Domínguez Bilbao, R. (2011a). Identificación y especularidad. Una reconstrucción a partir del discurso. Comunicación y Sociedad 24(1), 7-33.
Fernández Villanueva, C., Revilla, J.C. & Domínguez Bilbao, R. (2011b). Las emociones que suscita la violencia en televisión. Comunicar 36, XVIII, 95-103.
Fernández Villanueva, C., Revilla, J.C. González, R. & Lozano, B. (2013). Violencia en la Televisión: ¿Desagradable, interesante o morbosa? Revista Latina de Comunicación Social 68, 582-598.
Frosh, P. (2006). Telling presences: Witnessing, mass media and the imagined lives of strangers. Critical Studies in Media Communication 23(4), 265-284.
Frosh, P. (2011). Phatic morality: Television and proper distance International. Journal of Cultural Studies 14 (4), 383-400.
Frosh, P. & Pinchevski, A. (Eds.) (2009). Media Witnessing: Testimony in the Age of Mass Communication. London: Palgrave-Macmillan.
Gauntlett, D. & Hill, A. (1999). TV Living: Television Culture and Everyday Life. London: Routledge.
Güney, Ü. (2010). ‘We see our people suffering’: the war, the mass media and the reproduction of Muslim identity among youth. Media, War & Conflict 3(2), 168–181.
Harré, R. & Van Langenhove, L. (Eds.) (1999). Positioning Theory: Moral Contexts of Intentional Action. Malden: Blackwell.
Hartmann, T. (2011). Not so moral. Moral responses to media entertainment? Journal of Media Psychology 23(1), 24-28.
Huesman, L.R. (2011). The Contagion of Violence: The extent, the processes, and the outcomes. Address delivered at the National Academies of Sciences’ Institute of Medicine’s Global Forum on Violence, April 29th.
Konijn, E.A. & Hoorn, J.F. (2005). Some like it bad: Testing a model on perceiving and experiencing fictional characters. Media Psychology 7, 107-144.
Moreno, F. (2009). Violencia colectiva, violencia política, violencia social. Aproximaciones conceptuales. In I. Markez, A. Fernández. & P. Pérez-Sales (Coords.): Violencia y salud mental (pp. 19-37). Madrid: Asociación Española de Neuropsiquiatría.
Orgad, S. (2009). Watching how others watch us: the Israeli media’s treatment of international coverage of the Gaza war. Communication Review 12(3), 250–261.
Orgad, S. (2011). Proper distance from ourselves: The potential for estrangement in the mediapolis. International Journal of Cultural Studies 14(4), 401–421.
Peters, J.D. (2001). Witnessing. Media, culture and society 23(6), 707-723.
Potter, W.J. (2003). The 11 Myths of Media Violence. Thousand Oaks, CA: Sage.
Reinhardt, M., Edwards, H. & Duganne, E. (Eds.) (2007). Beautiful Suffering: Photography and the Traffic in Pain. Chicago: Chicago University Press.
Rentschler, C. (2004). Witnessing: US citizenship and the vicarious experience of suffering. Media, Culture and Society 26(2), 296-304.
Revilla, J.C., Fernández Villanueva, C. & Domínguez, R. (2011). La mirada moral sobre la violencia en televisión. Un análisis de los discursos de los espectadores. Revista Internacional de Sociología 68(3), 679-698.
Ruiz, C., Micó, J. Ll. & Masip, P. (2012). La “digitalització” de l’altre. Idees 34, 42-52.
Schlesinger, P., Dobash, R.E., Dobash, R.P. et al. (1992). Women Viewing Violence. London: BFI Publishing.
Schlesinger, P., Haynes, R., Boyle, R. et al. (1998). Men Viewing Violence. London: Broadcasting Standards Commission.
Seu, I.B. (2010). ‘Doing Denial’: audience reactions to human rights appeals. Discourse and Society 21(4), 438-457.
Seu, I.B. (2011). Shot the messenger. Dynamics of positioning and denial in response to human rights appeals. Journal of Human Rights Practice 3(2), 139-161.
Shaw, R.L. (2004). Making sense of violence: a study of narrative meaning. Qualitative Research in Psychology 1(2), 131-151.
Silverstone, R. (2006). Media and morality. On the rise of the mediapolis. Cambridge, UK: Polity Press.
Sliwinski, S. (2009). The Aesthetics of Human Rights. Culture, Theory and Critique 50(1), 23- 39.
Sontag, S. (2003). Ante el dolor de los demás. Madrid: Alfaguara.
Thomé, H.I. (2004). Victimización y cultura de la seguridad ciudadana en Europa. Tesis Doctoral, Universitat de Barcelona.
Tisseron, S. (2003). Comment Hitchcock m’a guéri. Paris: Albin Michel.
Van Der Molen, J.H.W. & De Vries, M. (2003). Violence and consolation: September 11th 2001 covered by the Dutch children's news. Journal of Educational Media 28(1), 5-19.
Vorderer, P., Klimmt, C. & Ritterfeld, U. (2004). Enjoyment: At the Heart of Media Entertainment. Communication Theory 14(4), 388-408.
Filmografía
George, Terry (dir., 2004). Hotel Rwanda. Lions Gate Films / United Artists Pakula, Alan J. (dir., 1982). La decisión de Sophie. Universal Pictures / ITC Entertainment.
Spielberg, Steven (dir., 1993). La lista de Schindler. Universal Pictures / Amblin Entertainment
Details
Article Details
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Communication & Society, the AUTHOR exclusively assigns the rights of public communication, reproduction, distribution and sale for commercial exploitation to the University of Navarra through its Publications Service, for the maximum legal term in force -the entire life of the author and seventy years after his death or declaration of death-, in any country, and in any of the current and future edition modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.