The persistence of the product placement in the viewer’s memory and its relation with the dramatic structure. A Case study in Alex de la Iglesia cinema
Main Article Content
Abstract

brand, as well as being the subject of a commercial communication, is always a narrative element of the story in which it is integrated. Therefore, with more or less relevance, it can be associated with different dramatical positions of structural order. This research aims to analyze the relationship between the memory of the presence of a brand in a narrative film that has a spectator, following the consumption of the movie, and the position that the placement has in the dramatic structure of the film.
Keywords
References
BABIN, Laurie A. y CARDER, Sheri T., “Viewers Recognition of Brands Placed Within A Film”, International Journal of Advertising, vol. 15, nº 2, 1996, pp. 140-151. http://search.proquest.com/docview/231074857?accountid=14730.
BAÑOS GONZÁLEZ, Miguel y RODRÍGUEZ GARCÍA, Teresa C., Imagen de marca y emplazamiento de producto, ESIC, Madrid, 2012 .
BAÑOS, Miguel y RODRÍGUEZ, Teresa, Product placement. Estrella invitada: la marca, Cie Dossat 2000, Madrid, 2003 .
CARRIÈRE, Jean-Claude y BONITZER, Pascal, Práctica del guión cinematográfico, Paidós, Barcelona, 1991 .
CASETTI, Francesco y DI CHIO, Federico, Cómo analizar un film, Paidós, Barcelona, 1994 .
COSANDEY, Roland, “Clio et les bobines d'Ariane: le Cinématographe Lumière à Lausanne 1896-1898: d'un répertoire à une filmographie”, Mémoire Vive, vol. 2, Lausanne, 1993, pp. 9-25 .
D'ASTOUS, Alain y CHARTIER, Francis, “A Study of Factors Affecting Consumer Evaluations and Memory of Product Placement in Movies”, Journal of Current Issues and Research in Advertising, vol. 22, nº 2, otoño, 2000, pp. 31-40, DOI:10.1080/10641734.2000.10505106 .
FIELD, Syd, El libro del guión, Plot, Madrid, 2001 .
GALICIAN, Mary-Lu y BOURDEAU, Peter G., “The evolution of product placement in Hollywood cinema: Embedding high-involvment «heroic» brand images”, Journal of Promotion Management, vol. 10, nº 1/2, 2004, pp. 15-36 .
GUPTA, Pola B. y GOULD, Stephen J., “Consumers´Perceptions of the Ethics and Acceptability of Product Placements in Movies: Product Category and Individual Differences”, Journal of Current Issues and Research in Advertising, vol. 19, nº 1, 1997, pp. 37-50, DOI: 10.1080/10641734.1997.10505056 .
JEONG, Eui J., BOHIL, Corey J. y BICOCA Frank A., “Brand Logo Placements in Violent Games Effects of Violence Cues on Memory and Attitude Through Arousal and Presence”, Journal of Advertising, vol. 40, nº 3, otoño 2011, pp. 59-72, DOI: 10.2753/JOA0091-3367400305 .
KAZAKOVA, Snezhanka, CAUBERGHE, Veroline y THIJS, Dieter, “The Effect of Flow on Implicit Memory of In-Game Brand Placement”, Advances in advertising research, vol . III, 2012, pp. 249-259, DOI: 10.1007/978-3-8349-4291-3_19 .
LAVANCHY-CLARKE, François Henri, “The cinema and Sunlight soap”, Progress, vol. 22, nº 154, Unilever Corporate Archives, Port Sunlight, UK, 1922, pp. 89-90 .
LÓPEZ-IBOR, Juan José, ORTIZ ALONSO, Tomás y LÓPEZ-IBOR ALCOCER, María Inés, Lecciones de psicología médica, Masson, Barcelona, 1999 .
MATTELART, Armand, La publicidad, Paidós Comunicación, Barcelona, 1991 .
MÉNDIZ NOGUERO, Alfonso, Nuevas formas publicitarias: patrocinio, product placement, publicidad en Internet, Servicio de publicaciones e Intercambio Científico de la Universidad de Málaga, Málaga, 2000 .
MORSE, Janice M., Critical Issues in Qualitative Research Methods, SAGE, Thousand Oaks, CA, 1994 .
NEBENZAHL, Israel D. y SECUNDA, Eugene, “Consumers' Attitudes Toward Product Placement in Movies”, International Journal of Advertising, vol. 12, nº 1, 1993, pp. 1-11 . http://search.proquest.com/docview/231073215?accountid=14730.
OLIVARES, Fernando y DEL PINO, Cristina, “El product placement en Médico de Familia: un análisis de contenido”, en ASOCIACIÓN ESPAÑOLA DE ESTUDIOS DE MERCADO, MARKETING Y OPINIÓN, 104º seminario de AEDEMO, AEDEMO, Barcelona, 2003, pp. 140-151 .
REIJMERSDAL, Eva A., ROZENDAAL, Esther y BUIJZEN, Moniek, “Brand Prominence in Advergames: effects on Children’s Explicit and Implicit Memory”, Advances in Advertising Research, vol. III, 2012, pp. 321-329, DOI: 10.1007/978-3-8349-4291- 3_24 .
RODRÍGUEZ GARCÍA, Teresa C. y BAÑOS GONZÁLEZ, Miguel, Construcción y memoria del relato audiovisual, Fragua, Madrid, 2010 .
SÁNCHEZ-ESCALONILLA, Antonio, Estrategias de guión cinematográfico, Ariel, Barcelona, 2002 .
SEGER, Linda, El arte de la adaptación. Cómo convertir hechos y ficciones en películas, Rialp, Madrid, 1993 .
VICTORIA MÁS, Juan S., Hollywood y las marcas (product placement), Newbook Ediciones, Madrid, 1999 .
WIMMER, Roger D. y DOMINICK, Joseph R., Introducción a la investigación de medios masivos de comunicación, International Thomson Editores, México, 2001 .
WOUTERS, Marijke y PELSMACKER, Patrick, “Brand placement in scripted and non-scripted Belgian and US programs on Belgian Prime Time Television”, Journal of Marketing Communications, vol. 17, nº 5, 2011, pp. 299-318, DOI:10.1080/13527261003600421 .
Details
Article Details
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Communication & Society, the AUTHOR exclusively assigns the rights of public communication, reproduction, distribution and sale for commercial exploitation to the University of Navarra through its Publications Service, for the maximum legal term in force -the entire life of the author and seventy years after his death or declaration of death-, in any country, and in any of the current and future edition modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.