Re-building the Idea of Being a Woman. The Audiovisual Legacy of Lila Crane
Article Sidebar
145)
Main Article Content
Authors
Abstract
265
Keywords
References
Antón, L. (2014). El drama pasional de la mujer investigadora. Un arquetipo femenino de la crisis. Fotocinema: revista científica de cine y fotografía, 8, 57-82.
Antón, L. (2016). La perspectiva Crane. La crisis de identidad femenina en Psicosis (A.
Hitchcock, 1960). Feminismo/s, 27, 53-78. http://dx.doi.org/10.14198/fem.2016.27.04.
Antón, L. (2017). Reconociéndose como lo Otro. La narrativa audiovisual del re-encuentro de la mujer con el monstruo. Fotocinema. Revista científica de cine y fotografía, 15, 85-108. http://dx.doi.org/10.24310/Fotocinema.2017.v0i15.3498.
Clover, C. J. (1992). Men, Women and Chain Saws in the Modern Horror Film. New Jersey: Princeton University Press.
Doane, M. A. (1987). Paranoia and the Specular. The Desire to Desire. The Woman's Film of 1940's (pp. 123-154). London: The MacMillan Press.
García Cortés, J. M. (1997). Orden y caos. Un estudio cultural sobre lo monstruoso en el arte. Barcelona: Anagrama.
Gates, P. (2011). Detecting Women Gender and the Hollywood Detective Film. New York: State University of New York Press.
Hutcheon, L. (1991). The Politics of Postmodern Parody. In Heinrich F. Plett (Ed.), Intertextuality (pp. 225-236). Berlin-New York: Walter de Gruyter.
Kaplan, E. A. (1983). Women & Film. Both sides of the camera. London: Taylor & Francis.
Neroni, H. (2005). The Violent Woman. Femininity, Narrative and Violence in Contemporary American Cinema. New York: State University of New York Press.
Paglia, P. (2006). Los pájaros. Barcelona: Gedisa.
Sánchez, Á. (2017, November 20). Casi la mitad de europeos cree que el rol más importante de la mujer es el cuidado del hogar. El País. Retrieved from http://www.elpais.com/ Santamarina, A. (2012). 1996. Fargo. Joel y Ethan Coen (pp. 165-180). Madrid: Cátedra.
Suleng, K. (2017, August 23). Estas lecturas le pueden hacer más inteligente. El País. Retrieved from http://www.elpais.com/.
Tasker I. (2013). Women in Film Noir. In A. Spicer & H. Hanson (Eds.), A Companion to Film Noir (pp. 353-368). Oxford: Blackwell Publishing Ltd.
Wager, J. B. (2005). Dames in the Driver’s Seat. Rereading Film Noir. USA: University of Texas Press.
Details
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Communication & Society, the AUTHOR exclusively assigns the rights of public communication, reproduction, distribution and sale for commercial exploitation to the University of Navarra through its Publications Service, for the maximum legal term in force -the entire life of the author and seventy years after his death or declaration of death-, in any country, and in any of the current and future edition modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.
