Reflexiones sobre la adaptación cinematográfica desde una perspectiva iconológica

Marta Frago-Pérez

Marta Frago-Pérez e-mail

(Login required)

PDF (Español) (

898)

View in DADUN

Authors

Marta Frago-Pérez e-mail

(Login required)

Universidad de Navarra.

Abstract

115

This article goes over the wide range of trends of thought which have studied film adaptation. The course is established with two principal purposes: First of all, to make understandable several aspects regarding the nature of adaptation itself; second, to detect the short attention which has been paid to the thematic dimension inherent in all adaptation processes. In order to do so, an iconological approach is proposed at the end of the article, meant to recover the understanding of adaptation as a reinterpretation and dialogue between the adapter and the literary fable (mythos).

Keywords

Film and Literature, Film Adaptations, Comparative Literature, Iconology, Poetics of Narrative, Hermeneutics.

References

ANDREW, Dudley, “The Well-Worn Muse: Adaptation in Film History and Theory”, en CONGER, Syndy M. y WELSCH, Janice R., Narrative Strategies: Original Essays in Film and Prose Fiction, Western Illinois University Press, Macomb, 1980.

ANDREW, Dudley, Las principales teorías cinematográficas, Rialp, Madrid, 1993.

ANDREW, Dudley, “Adaptation”, en NAREMORE, James (ed.), Film Adaptation, Rutgers, New Jersey, 2000.

ARENDT, Hannah, Entre el pasado y el futuro. Ocho ejercicios sobre la reflexión política, Península, Barcelona, 1996.

ARISTÓTELES, Poética, Gredos, Madrid, 1992.

ASHEIM, Lester, “From Book to Film: Simplification”, Hollywood Quarterly vol. 5 1950-1951, pp. 289-304.

ASHEIM, Lester, “From Book to Film: Mass Appeals”, Hollywood Quarterly, vol. 5 1950-1951, pp. 334-349.

ASHEIM, Lester, “From Book to Film: Summary”, Hollywood Quarterly, vol. 6, nº 3, pp. 258- 273.

BALÁZS, Béla, El film. Evolución y esencia de un arte nuevo, Losance, Buenos Aires, 1957.

BAUER, Leda V., “Movies Tackle Literature”, American Mercury, vol. 14, nº 55, julio, 1928, pp. 288-294.

BAZIN, André, ¿Qué es el cine?, Rialp, Madrid, 1990.

BEJA, Morris, Film and Literature. An Introduction, Longman, New York, 1979.

BLUESTONE, George, Novels into Film, University of California Press, Berkeley, 1957.

BOYUM, Joy Gould, Double Exposure: Fiction into Films, Plume (New American Library), New York, 1985.

CIERI VIA, Claudia, Nei dettagli nascosto. Per una storia del pensiero iconologico, Carocci, Roma, 1998.

CHATMAN, Seymour, Historia y discurso, Taurus, Madrid, 1990.

CHATMAN, Seymour, Coming to Terms. The Rethoric of Narrative in Fiction and Film, Cornell U.P., Ithaca; New York, 1990.

DOLEZEL, Lubomír, Historia breve de la Poética, Síntesis, Madrid, 1990.

ECO, Umberto, La definición del arte, Martínez-Roca, Barcelona, 1970.

ECO, Umberto, Seis paseos por los bosques narrativos, Lumen, Barcelona, 1996.

FAULSTICH, Werner y KORTE, Hemult (eds.), Cien años de cine. 1895-1924, Siglo XXI, Madrid, 1997.

GARCÍA-NOBLEJAS, Juan José, Poética del texto audiovisual, Eunsa, Pamplona, 1982.

GARCÍA-NOBLEJAS, Juan José, Comunicación y mundos posibles, Eunsa, Pamplona, 1996.

GARCÍA-NOBLEJAS, Juan José, Comunicación borrosa, Eunsa, Pamplona, 2000.

GEDULD, Harry M., Los escritores frente al cine, Fundamentos, Madrid, 1981.

GRIFFITH, James, Adaptations as Imitations, University of Delaware Press, New Jersey, 1997.

JINKS, William, The Celluloid Literature, Glencoe Press, Berverly Hills, CA, 1974.

LABRADA, Maria Antonia, Sobre la razón poética, Eunsa, Pamplona, 1992.

LAFUENTE FERRARI, Enrique, “Introducción a Panofsky”, en PANOFSKY, Erwin, Estudios sobre iconología, Alianza, Madrid, 1972.

LHUR, William, The Authorship and Narrative in the Cinema, Putnam, New York, 1977.

LINDEN, George, Reflections on the Screen, Wardsworth, Belmont, 1970.

LINDSAY, Vachel, El arte de la imagen en movimiento, Fundación de Cultura Ayuntamiento de Oviedo, Oviedo, 1995.

MASON, Ronald, “The Film of the Book”, Film, vol. 16, marzo-abril, 1958, pp. 18-20.

MAST, Gerald, “Literature and Film”, en BARRICELLI, Jean Pierre y GIBALDI, Joseph (eds.), Interrelation of Literature, MLA, Nueva York, 1982.

METZ, Christian, Langage et Cinèma, Larousse, París, 1971.

McFARLANE, Brian, Words and Images. Australian Novels into Film, Heinemann Publishers, Melbourne, 1983.

McFARLANE, Brian, Novel to Film, Oxford University Press, London, 1996.

MONACO, James, How to Read a Film, Oxford University Press., New York, 1977.

MORRISETTE, Bruce, Novel to Film, Essays in Two Genres, University of Chicago Press, Chicago, 1985.

NAREMORE, James, Film Adaptation, Rutgers University Press, New Jersey, 2000.

PANOFSKY, Erwin, Estudios sobre iconología, Alianza, Madrid, 1972.

PANOFSKY, Erwin, Sobre el estilo. Tres ensayos inéditos, Paidós, Barcelona, 2000.

PAVEL, Thomas, The Poetics of Plot: the Case of English Renaissance Drama, University of Minnesota Press, Minneápolis, 1985.

PAVEL, Thomas, Univers de la fiction, Seuil, París, 1988.

PEÑA-ARDID, Carmen, Literatura y cine, Cátedra, Madrid, 1992.

PHILLIPS, Gene D., Conrad and the Cinema, Peter Lang, New York, 1995.

RICHARDSON, Robert, Verbal and Visual Languages, University of Indiana Press, Bloomington, 1969.

RICOEUR, Paul, Tiempo y narración I. Configuración del tiempo en el relato histórico, Cristiandad, Madrid, 1987.

SÁNCHEZ NORIEGA, José Luis, De la literatura al cine, Paidós, Barcelona, 2000.

SELDES, Gilbert, “Fiction Influenced by the Movies”, Scribners Magazine, vol. 100, noviembre 1936, pp. 71-72.

STAM, Robert; BURGOYNE, Robert y FLITTERMAN-LEWIS, Sandy, Nuevos conceptos de la teoría del cine, Paidós, Barcelona, 1999.

STAM, Robert, “Beyond Fidelity: The Dialogics of Adaptation”, en NAREMORE, James (ed.), Film Adaptation, Rutgers, New Jersey, 2000, pp. 54-76.

STAM, Robert y RAENGO, Alexandra, A Companion to Literature and Film, Blackwell, Oxford, 2004.

STAM, Robert, Literature and Film, Blackwell, Malden; Oxford, 2005.

STAM, Robert, Literature Through Film, Blackwell, Malden; Oxford, 2005.

STEINER, George, Presencias reales, Destino, Barcelona, 1991.

STRAUSS, Florence, “A Synopsized View of Literature”, Bookman, vol. 64, nº 4, diciembre, 1926, pp. 455-456.

TRUFFAUT, François, “A certain Tendency of the French Cinema”, en NICHOLS, Bill (ed.), Movies and Methods, University of California Press, Berkeley, 1976.

VANOYE, Francis, Récit-Ecrit, Récit Filmique, CEDIC, París, 1979.

VANOYE, Francis, Guiones modelo y modelos de guión, Paidós, Barcelona, 1996.

Metrics

Details

Issue

Vol 18 No 2 (2005)

Section

Articles

The texts published in this journal are subject to the following terms:

1. The University of Navarra (Publications Service as its editorial) retains the property rights (copyright) of published works, and allows the use of this rights under the license indicated in point 2. © Servicio de Publicaciones, Universidad de Navarra, 2015

2. The works are published in the online edition of the journal under a Creative Commons Attribution-Noncommercial-NoDerivatives 4.0 (legal text). You can copy, use, distribute, transmit and display publicly , providing that: i) the authorship and the original source of publication (journal, editorial and URL of the work) ii) it will not be used for commercial purposes; iii) the existence and specifications of this license must be mentioned .
Licencia de Creative Commons

3. Self-archive conditions. It is allowed, and authors are encouraged to disseminate electronically the editorial version (published version, with logos, pages, volume and number, ISSN, DOI, etc.). This promotes the circulation, dissemination and it can increase in its citation and scope between the academic community.

Article Sidebar

Main Article Content