Review of the Second Phase of «Artistic Capitalism» by Sociologist Gilles Lipovetsky (1950-1980). Background and Development of the Democratisation and Propagation of the so-called «Society of Plenty», and Outline of the Third Phase of «Artistic Capitalism»
Article Sidebar
396)
Main Article Content
Authors
Abstract
451
This article aims to outline sociologist Gilles Lipovetsky’s views the views of sociologist Gilles Lipovetsky on the so-called «second phase of cultural capitalism», which occurs. The historical moment between the 1950s and the 1980s and is characterized by the spread of mass consumption and the expansion of cultural industries. The antecedents of this stage, the «first phase of cultural capitalism» date back to 1850 and last until the Second World War. We will use this starting point, the end of the first phase of cultural capitalism, to review the events that gave rise to the spread and democratization of consumption. We will also review the main postulates of the «third phase of cultural capitalism», which is still in force today.
Keywords
References
Aguilar, A. (2008).Warhol, marca registrada. El País. https://elpais.com/diario/2008/01/15/tendencias/1200351602_850215.html
Barreiro, A. (1998). Mirar y hacerse mirar: La moda en las sociedades modernas, Tecnos.
Benjamin, W. (2002). The Arcades Project. Cambridge: Harvard University Press. ISBN 9780674008021
Calabrese, O. (2007). El lujo: seis figuras ejemplares para una iconografía de la riqueza. Revista de Occidente, 318. 9-26. ISSN:0034-8635
Canogar, D. (1992). Ciudades efímeras: Exposiciones universales, espectáculo y tecnología. Julio Ollero.
Castro Flórez, F. (2014). Mierda y catástrofe, Fórcola. Conversación privada con el autor Gilles Lipovetsky. Grenoble (2022). Exposición (2012). This Is Pop Art!. Exposición. 25 de julio. http://www.slideshare.net/OcioyRutasValladolid/exposicion-this-is-popart-museo-de-la-pasion-andy-warhol-ocio-y-rutas-valladolid
Fortnum&Mason. https://www.fortnumandmason.com/our-history
Galeries Lafayette. https://haussmann.galerieslafayette.com/es/cultura-y-patrimonio/
Groys, B. (2014). Volverse público. Las transformaciones del arte en el ágora contemporánea. Caja Negra. House of Frase Archive. https://housefraserarchive.ac.uk/company/?id=c2709
Printemps. https://es.wikiarquitectura.com/edificio/printemps/
Koda, H.; Bolton, A. (2008). Paul Poiret (1879-1944). (septiembre de 2008). http://www.metmuseum.org/toah/hd/poir/hd_poir.htm
Krick, J. (2004). Charles FrederickWorth (1825-1895) and the House of Worth. (octubre de 2004). https://www.metmuseum.org/toah/hd/wrth/hd_wrth.htm
Le Bon Marché Rive Gauche. https://www.lvmh.com/houses/selective-retailing/le-bon-marche/
Lipovetsky, G. (1998). La era del vacío. Ensayos sobre el individualism contemporáneo. Anagrama. ISBN: 84-339-0083-8
Lipovetsky, G. (2002). El crepúsculo del deber: La ética indolora de los nuevos tiempos democráticos. Anagrama. ISBN: 978-84-339-1378-4
Lipovetsky, G (2007). La felicidad paradójica. Ensayo sobre la sociología del hiperconsumo. Anagrama. ISBN: 978-84-339-6266-9
Lipovetsky, G.; Charles, S. (2014). Los tiempos hipermodernos. Anagrama. ISBN: 978-84-339-6247-8
Lipovetsky, G.; Serroy, J. (2010). La cultura-mundo. Respuesta a una sociedad desorientada. Anagrama. ISBN: 978-84-339-6314-7
Lipovetsky, G.; Serroy, J. (2015), La estetización del mundo. Vivir en la época del capitalismo artístico. Anagrama. ISBN: 978-84-339-6375-8
Loaiza, H. (2002). Siglo XXI: ¿Fin de la estética. Resonancias.org.157. ISSN: 1961-974X https://resonancias.org/content/37/siglo-xxi-fin-de-la-estetica-porhector-loaizaMartínez
Metalocus (2017). lR100-Rinascente: Historias de innovación por OMA (25 de mayo de 2017). https://www.metalocus.es/es/noticias/lr100-rinascente-historias-deinnovacion-por-oma
Miller, M. B. (1981). The Bon Marché: Bourgeois Culture and the Department Store: 1869-1920. Princeton University Press. ISBN: 9780691034942
Ogliotti, E. (2007). El lujo de las Mil y una noches de Paul Poiret. Revista de Occidente, 318. 117-135.
Poiret, P. (2017). Vistiendo la época. Renacimiento. ISBN 13: 9788417266158.
Thompson, D. (2015), La supermodelo y la caja de brillo. Ariel. ISBN-10: 8434419270
Vettese, A. (2014). El arte contemporáneo. Entre el negocio y el lenguaje. Rialp. ISBN 10: 8432142956
Vicente, A. (2015). Si Podemos convence es solo por la desesperación de la gente. El País. https://elpais.com/elpais/2015/04/29/icon/1430319768_710520.html
Zola, E. (2013). El paraíso de las damas. Alba Editorial. ISBN: 978-84-8428-832-9
Metrics
|
|
Details
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Empresa y Humanismo, the AUTHOR grants exclusive economic and/or exploitation rights: reproduction, distribution, public communication, transformation/translation/creation of derivative works, and commercialisation to the University of Navarra through its Publications Service, for the maximum legal period in force -the author's lifetime and seventy years after his or her death or declaration of death-, in any country, and in any of the current and future publishing modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.
