Multiple Authorship: The Collaborative Production of Knowledge in the Shinkenchiku Residential Design Competition (1965–2020)

Abstract
This paper challenges the notion of the heroic genius as driver of invention and development in architectural culture. It considers the production of architectural ideas prior to design as an integral part of the production of architectural projects and takes the Shinkenchiku Residential Design Competition (1965–2020), a yearly housing ideas competition from Japan, as a tangible case study for exploring notions of multiple authorship. The paper focuses on the editions of the competition judged by Toyo Ito, Rem Koolhaas, and Kazuyo Sejima–who respectively set the provocative themes of “Comfort in the Metropolis” (1988), “House with No Style” (1992), and “The Possibilities of Non- Movement” (1996)–to illustrate how this ideas competition functions as a fruitful dialogue between judge and contestants that produces architectural knowledge collaboratively. At the same time, by de-mystifying the genius of the single “star architect” judge, this paper aims to contribute to the ongoing quest to write a more inclusive global history of architecture that reveals voices hitherto silenced.
References
DANIEL, Thomas, “The Fugitive,” in Toyo Ito, Tarzans in the Media Forest, vol. 8. Architecture Words, Architectural Association, London, 2011.
GARGIANI, Roberto, and KOOLHAAS, Rem, Rem Koolhaas/OMA: The Construction of Merveilles, EPFL Press, Lausanne, 2019.
ITO, Toyo, Competition Announcement, “The Shinkenchiku Residential Design Competition 1988,” The Japan Architect, March 1988, pp. 6–7.
ITO, Toyo, “Comfort in the Metropolis: In the Narrow Defile Between Reality and Fiction,” The Japan Architect, March 1989, 383, pp. 30–33.
KOOLHAAS, Rem, “The Shinkenchiku Residential Design Competition 1992,” The Japan Architect II, 1992, pp. 2–3.
KOOLHAAS, Rem, “About the Results,” The Japan Architect I, 1993, Annual, pp. 6–7.
KOOLHAAS, Rem, “Why I Wrote Delirious New York and Other Textual Strategies,” Architecture New York, May/June 1993, Writing in Architecture, pp. 42–43.
LEUPEN Bernard, and KOOLHAAS, Rem, Hoe Modern is de Nederlandse Architectuur?, 010 Publisher, Rotterdam, 1990.
NUIJSINK, Cathelijne, Interview with Azby Brown, September 19, 2019.
NUIJSINK, Cathelijne, Interview with Jean- Philippe Lanoire, July 9, 2020.
NUIJSINK, Cathelijne, Interview with Jos Roodbol, April 25, 2019.
NUIJSINK, Cathelijne, Interview with Jurgen Mayer, June 19, 2020.
NUIJSINK, Cathelijne, Interview with Kirsten Wittle, June 15, 2020.
NUIJSINK, Cathelijne, Interview with Krešimir Rogina, June 6, 2020.
NUIJSINK, Cathelijne, Interview with Mitsugo Okagawa, June 20, 2020.
NUIJSINK, Cathelijne, Interview with Peter Wilson, July 7, 2019.
NUIJSINK, Cathelijne, Interview with Toshikazu Ishida, July 26, 2019.
NUIJSINK, Cathelijne, Interview with Yosuki Fujiki, June 24, 2020.
NUIJSINK, Cathelijne, Interview with Pornchai Boonsom, June 20, 2020.
SEJIMA, Kazuyo, “The Possibilities of Non-Movement . . . ,” The Japan Architect II, Summer 1996, pp. 2–3.
SEJIMA, Kazuyo, “Judge’s Comments,” The Japan Architect IV, Winter 1996, pp. 224–25.
Section
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Ra. Revista de Arquitectura, the AUTHOR grants exclusive economic and/or exploitation rights: reproduction, distribution, public communication, transformation/translation/creation of derivative works, and commercialisation to the University of Navarra through its Publications Service, for the maximum legal period in force -the author's lifetime and seventy years after his or her death or declaration of death-, in any country, and in any of the current and future publishing modalities, both in print and electronic versions.
In the event that the article is not accepted for publication, this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.