The museum of innocence: the construction of a story
Article Sidebar
333)
Main Article Content
Authors
Abstract
1642
It is a tale of passion, told through the objects that trigger the characters’ memories in different places in the city. For this reason, it is also the story of a time and a city. In particular, it is a reflection on the importance of our houses, of the people who live in them, their objects and their stories, and how they can be turned into museums.
Keywords
References
Allmer, A., “Orhan Pamuk’s ‘Museum of Innocence’: on architecture, narrative and the art of collecting”, Architectural Research Quarterly, vol. 13, n.o 02, 2009, Cambridge University Press, disponible en http://www.journals.cambridge.org/abstract_S135913550999025X
Benjamin , W., Libro de los pasajes, Akal, Madrid, 2005.
Benjamin , W., Desembalo mi biblioteca. El arte de coleccionar, Centellas, Palma, 2015.
Didi-Huberman, G., Atlas : ¿cómo llevar el mundo a cuestas?, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2010.
Özmen, M., Construction of “physical” and “dream” spaces through things/ objects in the selected works of Georges Perec and Orhan Pamuk, M. Arch., Department of Architecture, Middle East Technical University, 2014.
Pamuk, O., “A modest manifesto for museums”, en The innocence of objects, Abrams, New York, 2012.
Pamuk, O., El Museo de la Inocencia, Debolsillo, Barcelona, 2017.
Pamuk, O., “Los objetos viajan por rutas misteriosas”, El País, 2012, [en línea].
Pamuk, O., The innocence of objects, Abrams, New York, 2012.
Pamuk, O., “Una mirada a mis fuentes de inspiración”, El País, 2015, [en línea].
Metrics
|
|
Details
Article Details
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Ra. Revista de Arquitectura, the AUTHOR grants exclusive economic and/or exploitation rights: reproduction, distribution, public communication, transformation/translation/creation of derivative works, and commercialisation to the University of Navarra through its Publications Service, for the maximum legal period in force -the author's lifetime and seventy years after his or her death or declaration of death-, in any country, and in any of the current and future publishing modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.
