The Bonaventurian Foundation of a Poetic-Theory Based on the Exemplary Metaphysics of the Expression of the Verbum
Article Sidebar
0)
Main Article Content
Authors
Abstract
0
Buenaventura de Bagnoregio exposed in his work one of the most stimulating philosophical and theological doctrines for a reflection on the foundations of aesthetics. In this work we intend to make a synthesis about the possibilities of the exemplary metaphysics of the expression of the Verbum, developed by the Seraphic, to lay down a poetic theory from the study of human nature as the image and likeness of the Creator, with all relationships – Christological and Trinitarian – implicit in them. For this reason, we will establish a dialogue between the main aspects of the analysis of theological- speculative thought and landing on more specific points of poetic reflection.
Keywords
References
ASCENCIO, J. G., «L'estetica di Romano Guardini (II): Gli sviluppi dei primi anni Venti. Verso una comprensione matura dell'arte», Alpha Omega 15/2 (2012) 213-235.
BALTHASAR, H. U. VON, Gloria. Una estética teológica II, Estilos eclesiásticos. Ireneo, Agustín, Dionisio, Anselmo, Buenaventura, Madrid: Encuentro, 1992.
COSTANZI, T. M., Il tono estetico del pensiero di s. Bonaventura, Perugia: Centro di Studi Umbri, 1967.
GUARDINI, R., Opera Omnia, vol. XVIII, Brescia: Morcelliana, 2013.
LÁZARO PULIDO, M., «La significación desde la autoexpresión del Logos divino en Buenaventura: Entender la Unidad en la Pluralidad», Bajo palabra. Revista de filosofía 24 (2020) 475-492. https://doi.org/10.15366/bp.2020.24.024
LÁZARO PULIDO, M., «Una reflexión ética del "Itinerarium mentis in Deum" de San Buenaventura», Cuadernos salmantinos de filosofía 31 (2004) 5-22. https://doi.org/10.36576/summa.1227
LÁZARO PULIDO, M. y BORDOY FERNÁNDEZ, A., «Introducción a san Buenaventura de Bagnoregio», en LÁZARO PULIDO, M., LEÓN FLORIDO, F. y RUBIO HÍPOLA, F. J. (eds.), Pensar la Edad Media cristiana: San Buenaventura de Bagnoregio (1217-1274), Pensar la Edad Media Cristiana 16, Madrid: Sindéresis, 2019, 25-108.
LEÓN SANZ, I. M., El arte creador en San Buenaventura: fundamentos para una teología de la belleza, Pamplona: Eunsa, 2016.
LEÓN SANZ, I. M., «El universo como poema divino: la expresividad de la naturaleza en San Buenaventura», en HERREROS FUERTES, J. L. y PONCELA GONZÁLEZ, A. (eds.), De natura: la naturaleza en la Edad Media, vol. 2, Braga: Edições Húmus, 2015, 567-575.
LEÓN SANZ, I. M., «Hacia una comprensión artística de la creación: la fecundidad de esta analogía en el pensamiento de san Buenaventura», en LÁZARO PULIDO, M., LEÓN FLORIDO, F. y RUBIO HÍPOLA, F. J. (eds.), Pensar la Edad Media cristiana: San Buenaventura de Bagnoregio (1217-1274), Pensar la Edad Media Cristiana 16, Madrid: Sindéresis, 2019, 167-181.
LEÓN SANZ, I. M., «La creación como arte de la Trinidad en san Buenaventura », Scripta theologica: revista de la Facultad de Teología de la Universidad de Navarra 47/3 (2015) 579-605. https://doi.org/10.15581/006.47.3.579-605
LEÓN SANZ, I. M., «Relatio - ordo - pulchritudo del universo en el pensamiento de S. Buenaventura», Enrahonar: an international journal of theoretical and practical reason (2018) 163-172.
MATHIEU, L., La Trinité créatrice d'après saint Bonaventure, Paris: Editions Franciscaines, 1992.
MOSCHINI, M., «Sapienza e Bellezza, Un'estetica filosofica per leggere la creazione», en BEGASSE DE DHAEM, A., GALLI, E., MALAGUTI, M., PASCUAL, R. y SALTO SOLÁ, C. (eds.), Deus summe cognoscibilis, the current theological relevance of Saint Bonaventure, Leuven: Peeters, 2018, 295-301. https://doi.org/10.2307/j.ctv1q26zt0.25
Metrics
|
|
Details
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Scripta Theologica, the AUTHOR exclusively assigns the rights of public communication, reproduction, distribution and sale for commercial exploitation to the University of Navarra through its Publications Service, for the maximum legal term in force -the entire life of the author and seventy years after his death or declaration of death-, in any country, and in any of the current and future edition modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.
