Reviewing the cultural industry: from creative industries to digital platforms
Main Article Content
Abstract

References
Abruzzese, A. & Borrelli D. (2000). L’industria culturale. Tracce e immagini di un privilegio. Roma-Bari: Laterza.
Adorno, T. W. & Horkheimer, M. (1947). Dialektik der Aufklärung. Amsterdam: Querido; trans. Sp. (2016). Dialéctica de la Ilustración: fragmentos filosóficos. Madrid: Trotta.
Banti, A. (2017). Wonderland. La cultura di massa da Disney ai Pink Floyd. Roma-Bari: Laterza.
Benjamin, W. (1991). Gesammelte Schriften. Unter Mitwirkung von Theodor W. Adorno und Gershom Scholem hrsg. von Rolf Tiedemann und Hermann Schweppenhäuser. Bde. I– VII, Suppl. I–III (in 17 Bänden gebunden). 1. Auflage, Suhrkamp, Frankfurt am Main 1972– 1999. Revidierte Taschenbuch-Ausgabe: Bde. I–VII (in 14 Bänden gebunden), Suhrkamp, Frankfurt am Main; trans. Sp. (2006). Obras. Madrid: Abada.
Bettetini, G. & Fumagalli, A. (2001). Lo que queda de los medios: ideas para una ética de la comunicación. Pamplona: Eunsa.
Miège, B., Moeglin, P. & Bouquillon, P. (2013). L’industrialisation des biens symboliques. Les industries créatives en regard des industries culturelles. Grenoble: PUG.
Bovone, L. & Mora, E. (Eds.) (2003). Saperi e mestieri dell’industria culturale. Milano: Franco Angeli.
Bustamante, E. (2004). Cultural industries in the Digital Age: some provisional conclusions. Media, Culture and Society, 26(6), 803-820.
Castronovo, V. & Tranfaglia, N. (Eds.) (1995-2008). Storia della stampa italiana (Vol. 5). RomaBari: Laterza.
Ciofalo, G. (2011). Infiniti anni Ottanta. Tv, cultura e società alle origini del nostro presente. Milano: Mondadori.
Colombo, F. (1998). La cultura sottile. Media e industria culturale dall’Ottocento agli anni Novanta. Milano: Bompiani.
Colombo, F. (2012). Il paese leggero. Gli italiani e i media tra contestazione e riflusso. BariRoma: Laterza.
Colombo, F. (2013). Il potere socievole. Storia e critica dei social media. Milano: Mondadori.
Crane, D. (1994). The Sociology of Culture: Emerging Theoretical Perspectives. Hoboken, NJ: Wiley-Blackwell.
De Bustos, J. C. M. & Casado del Río, M. A. (2016). Google, Apple, Facebook and Amazon. Emergencia de los GAFA y cambios en el sistema comunicativo global. Cuadernos de comunicación e innovación, 104, 38-48.
De Certeau, M. (1980). L’invention du quotidien. Vol. 1, Arts de Faire. Paris: Union Générale d’Éditions; trans. Sp. (2000). La invención de lo cotidiano, Vol. 1. Artes de hacer. México: Universidad Iberoamericana.
Dorfman, A. & Mattelart, A. (1971). Para leer al pato Donald. Valparaíso, Chile: Ediciones Universitarias de Valparaíso.
During, S. (2007). The Cultural Studies Reader. London: Routledge.
Eco, U. (1964). Apocalittici e integrati. Milano: Bompiani; trans. Sp. (2004). Apocalípticos e integrados. Barcelona: Debolsillo.
Florida, R. (2002). The Rise of the Creative Class: And How It’s Transforming Work, Leisure and Everyday Life. New York: Basic Books; trans. Sp. (2010). La clase creativa: la transformación de la cultura del trabajo y el ocio en el siglo XXI. Barcelona: Paidós.
Forgacs, D. (1990). Italian Culture in the Industrial Era. 1880-1980. Manchester: Manchester University Press.
Fuchs, C. (2015). Culture and Economy in the Age of Social Media. London, Routledge.
Gozzini, G. (2011). La mutazione individualista. Gli italiani e la televisione 1954-2011. BariRoma: Laterza.
Grasso, A. (1992). Storia della televisione italiana. Milano: Garzanti.
Griswold, W. (1994). Culture and Society in a Changing World. Thousand Oaks: Sage.
Lessig, L. (2008). Remix. Making Art and Commerce Thrive in the Hybrid Economy. London: Penguin; trans. Sp. (2012). Remix : cultura de la remezcla y derechos de autor en el entorno digital. Barcelona: Icaria.
Macdonald, D. (1962). Against The American Grain: Essays on the Effects of Mass Culture. New York: Random House.
Marcuse, H. (1964). One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. Boston: Beacon Press.
McChesney, R. H. (2013). Digital Disconnect. How Capitalism is Turning the Internet Against Democracy. New York: New Press.
Meikle, G. (2016). Social Media. Communication, Sharing and Visibility. London: Routledge.
Menduni, E. (2002). Televisione e società italiana 1975-2000. Milano: Bompiani.
Monteleone, F. (1992). Storia della radio e della televisione in Italia. Società, politica, strategie, programmi 1910-1990. Venezia: Marsilio.
Monteleone, F. (2001). Storia della radio e della televisione in Italia. Un secolo di costume, società e politica. Venezia: Marsilio.
Morando, P. (2011). Dancing Days: 1978-1979. I due anni che hanno cambiato l’Italia. BariRoma: Laterza.
Morando, P. (2016). ‘80: l’inizio della barbarie. Bari-Roma: Laterza.
Morin, E. (1956). Le cinéma ou l’homme imaginaire. Paris: Minuit; trans. Sp. (2001) El cine y el hombre imaginario. Barcelona: Paidós.
Morin, E. (1957). Les stars. Paris: Seuil.
Morin, E. (1962). L’esprit du temps. Essai sur la culture de masse. Paris: Grasset; trans. Sp. (1966). El espíritu del tiempo. Barcelona: Taurus.
Morreale, E. (2009). L’invenzione della nostalgia. Il vintage nel cinema italiano e dintorni. Roma: Donzelli.
Murialdi, P. (2006). Storia del giornalismo italiano. Dalle gazzette a internet. Bologna: Il Mulino.
Ortega y Gasset, J. (1929). La rebelión de las masas. Madrid: Alianza / Revista de Occidente,.
Panarari, M. (2010). L’egemonia sottoculturale. L’Italia da Gramsci al gossip. Torino: Einaudi.
Sorice, M. (1998). L’industria culturale in Italia. Roma: Editori Riuniti.
Taplin, J. (2017). Move Fast and Break Things. How Facebook, Google and Amazon Have Cornered Culture and What it Means for All of Us. London: MacMillan.
Van Dijk, J. (2013). The Culture of Connectivity: A Critical History of Social Media. Oxford: University Press.
Wu, T. (2016). The Attention Merchants. The Epic Struggle to Get Inside Our Heads. London: Atlantic Books.
Details
Article Details
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Communication & Society, the AUTHOR exclusively assigns the rights of public communication, reproduction, distribution and sale for commercial exploitation to the University of Navarra through its Publications Service, for the maximum legal term in force -the entire life of the author and seventy years after his death or declaration of death-, in any country, and in any of the current and future edition modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.