The creation of ideological discourse in the popular cinema of ‘tardofranquismo’ (1966-1975): ‘Paco Martínez Soria”s season’

Miguel Ángel Huerta-Floriano
Ernesto Pérez-Morán

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Published: 2012-01-01
DOI: https://doi.org/10.15581/003.25.36177
Keywords:
Spanish cinema, Ideology, Tardofranquismo, Topics, Story, Aesthetics

How to Cite

The creation of ideological discourse in the popular cinema of ‘tardofranquismo’ (1966-1975): ‘Paco Martínez Soria”s season’. (2012). Communication & Society, 25(1), 289-312. https://doi.org/10.15581/003.25.36177
376

Abstract

The popular films of the last years of Franco regime had an outstanding commercial success because of movies that, under the guise of a simple entertainment, reflected a specific image about that historical period of change. The production during ‘tardofranquismo’ found a vein in certain groups of works, among which stand out the ten films starring by actor Paco Martínez Soria. His filmography enables an ideological interpretation: defense of tradition against any kind of novelty, thanks to a benevolent father figure who ensures the stability of the communities he belongs to.
Keywords:
Spanish cinema, Ideology, Tardofranquismo, Topics, Story, Aesthetics

Authors

Miguel Ángel Huerta-Floriano
Universidad Pontificia de Salamanca. Facultad de Comunicación. 37007 Salamanca.
Ernesto Pérez-Morán
Universidad Pontificia de Salamanca. Facultad de Comunicación. 37007 Salamanca.

References

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Vol. 25 No. 1 (2012)

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