The creation of ideological discourse in the popular cinema of ‘tardofranquismo’ (1966-1975): ‘Paco Martínez Soria”s season’

Miguel Ángel Huerta-Floriano e-mail(Login required) , Ernesto Pérez-Morán e-mail(Login required)

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Authors

Miguel Ángel Huerta-Floriano e-mail(Login required)
Universidad Pontificia de Salamanca. Facultad de Comunicación. 37007 Salamanca.
Ernesto Pérez-Morán e-mail(Login required)
Universidad Pontificia de Salamanca. Facultad de Comunicación. 37007 Salamanca.

Abstract

158
The popular films of the last years of Franco regime had an outstanding commercial success because of movies that, under the guise of a simple entertainment, reflected a specific image about that historical period of change. The production during ‘tardofranquismo’ found a vein in certain groups of works, among which stand out the ten films starring by actor Paco Martínez Soria. His filmography enables an ideological interpretation: defense of tradition against any kind of novelty, thanks to a benevolent father figure who ensures the stability of the communities he belongs to.

Keywords

Spanish cinema, Ideology, Tardofranquismo, Topics, Story, Aesthetics

References

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MONTERO DÍAZ, Julio, “El franquismo: del esplendor a la crisis final (1959-1975)”, en PAREDES, Javier (coord.), Historia contemporánea de España (siglo XX), Ariel Historia, Barcelona, 1998, pp. 686-719.

NAVARRETE CARDERO, José Luis, Historia de un género cinematográfico: La españolada, Quiasmo, Madrid, 2009.

ROSENSTONE, Robert A., History on Film/Film on History, Pearson Education Limited, Harlow, 2006.

TORREIRO, Casimiro, “Del tardofranquismo a la democracia (1969-1982)”, en VV.AA., Historia del cine español, Cátedra, Madrid, 1995, pp. 341-398.

VILLEGAS LÓPEZ, Manuel, Aquel llamado Nuevo Cine Español, Ediciones JC, Madrid, 1991.

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Article Details

Issue
Vol 25 No 1 (2012)
Section
Articles


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