Cinema and politics of opposition in the US production after September 11
Main Article Content
Abstract

Keywords
References
AYUSO, Rocío, “Paul Haggis: La extrema derecha ha secuestrado Estados Unidos”, El País, 18.I.2008, p. 45.
CASCAJOSA VIRINO, Concepción, Prime Time. Las mejores series de TV americanas de C.S.I. a Los Soprano, Calamar, Madrid, 2005.
BARTHES, Roland, El susurro del lenguaje. Más allá de la palabra y la escritura, Paidós, Barcelona, 1987.
CELIS, Bárbara, “Brian De Palma: En EEUU no hay muertos en los telediarios”, El País, 16.XI.2007, p. 55.
DEL REY MORATO, Javier, La comunicación política, Eudema, Madrid, 1989.
DOMENACH, Jean-Marie, La propaganda política, Eudeba, Buenos Aires, 1963.
ESCAMILLA, Bárbara, “Por un puñado de petrodólares”, Cinemanía, nº 126, marzo de 2006, pp. 75-76.
FERNÁNDEZ SANTOS, E. “John Sayles: Las elecciones son el momento ideal para el cine político”, El País, 24.IX.2004, p. 45.
FRANCESCUTTI, Pablo, La pantalla profética, Cátedra, Madrid, 2004.
GUBERN, Román, “La estratégica guerra de Hollywood”, LANACION.com, 13.IV.2003, http://www.lanacion.com.ar/archivo/nota.asp?nota_id=488114&origen=acumulado& acumulado_id=-
OLIMPIO, Guido, “Bruce Willis, a la caza de Bin Laden”, El Mundo, 15.XI.2005, p. 26.
OPPENHEIMER, Walter, “Robert Redford: Ahora es más fácil criticar a Bush”, El País, 9.XI.2007, p. 48.
PAZ, María Antonia y MONTERO, Julio (coords.), Historia y cine. Realidad, ficción y propaganda, Editorial Complutense, Madrid, 1995.
PENA, Jaime, “Éstas no son mis imágenes”, Cahiers du Cinema España, nº 6, noviembre de 2007, pp. 20-21.
QUINTAS FROUFE, Eva, DAFONTE GÓMEZ, Alberto y PÉREZ SEOANE, Jesús, “El poder del discurso fílmico como arma propagandística. Fahrenheit 9/11”, en MARZAR FELICI, Javier y GÓMEZ TARÍN, Francisco Javier (eds.), Metodologías de análisis del film, Edipo, Madrid, 2007.
ROBB, David L., Operación Hollywood. La censura del Pentágono, Océano, Barcelona, 2006.
SARTORI, Beatriz, “Michael Moore: Sólo espero que Bush sea expulsado de la Casa Blanca”, El Cultural, 24-30.VI.2004, p. 44.
_ “Matt Stone: Team America no es una película política”, El Cultural, 24-30.IV.2005, p. 46.
Details
Article Details
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Communication & Society, the AUTHOR exclusively assigns the rights of public communication, reproduction, distribution and sale for commercial exploitation to the University of Navarra through its Publications Service, for the maximum legal term in force -the entire life of the author and seventy years after his death or declaration of death-, in any country, and in any of the current and future edition modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.