El cine bajo la presión del mercado libre. Las estrategias del autor en el filme de largo metraje polaco después del año 1989 *

Tadeusz Miczka

doi:10.15581/003.17.36338

Tadeusz Miczka e-mail

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Published: Jan 1, 2004

DOI: https://doi.org/10.15581/003.17.36338

How to Cite

Miczka, T. (2004). Cinema under the pressure of free market system. The author’s strategies in polish films after 1989. Communication & Society, 17(1), 145-160. https://doi.org/10.15581/003.17.36338

Authors

Tadeusz Miczka e-mail

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Universytet Slaskilturze. Plac Sejmu Slaskiego. 1. 40-032 Katowice.

Abstract

59

The article presents the history of polish film after the political and economic changes resulting in the replacement of the former total ideologization of life with the free market system which led to the radical change of film director’s strategies. Previously dominating –under the pressure politics– the strategies of agitators, mediators, psychotherapists, solitaries, moralists and rebels were replaced by the strategies of “accountants” (squarring with the history of polish cinema 1945-89), cynics (in so called “bandit cinema”), story tellers (in so called “provincial cinema”) and observers of economic and political changes. In the author’s opinion, contemporary polish cinema vegetates, it is hardly developing because it neither processes creatively the reality nor has managed to build up new identity and originality corresponding with ambitions and expectations of polish people who wish to take active part in the process of multicultural communication and would like to enrich the global culture with their national and local values.

Keywords

provincial\" cinema, Politics, Free market system, "bandit" cinema, "squarring" cinema, Author's strategies

References

BALCERZAN, E., Poezja polska w latach 1939-65. Czesc I. Strategie liryczne, PWN, Warszawa, 1984.

HENDRYKOWSKI, M., Autor jako problem poetyki filmu, Wydawnictwo Uniwersytetu Adama Mickiewicza, Poznan, 1988.

LUBELSKI, T., “Strategie autorskie w filmie polskim”, en Literatura, no 12 (1985), pp. 45-61.

LUBELSKI, T., Strategie autorskie w polskim filmie fabularnym lat 1945-1961, Nakladem Uniwersytetu Jagiellonskiego, 1992 (2ª edición), Kraków-Rabid, 2000.

MICZKA, T., Wielka improwizacja filmowa –Opowiesc o “Dziadach” Adama Mickiewicza –Lawa Tadeusza Konwickiego, Wydawnictwo Szumacher, Kielce, 1992.

MICZKA, T., “El cine bajo presión política: Polonia, 1945-1989”, en Comunicación y Sociedad, vol. XI, no 2 (1998), pp. 119120.

PRZYLIPIAK, M. y SZYLAK J., Kino najnowsze, Znak, Kraków, 1999.

WAJDA, A., “Albo Pana Tadeusza albo Panne Nikt”, en Kino, nº 2 (1995), pp. 8-11.

WERNER, A., To jest kino, Wydawnictwo “Stentor”, Warszawa, 1999.

ZAJICEK E. (ed.) Encyklopedia kultury polskiej XX wieku. Film. Kinematografia, Instytut Kultury-Komitet Kinematografii, Warszawa, 1994.

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Vol 17 No 1 (2004)

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