Correlational network visual analysis of adolescents’ film entertainment responses
Main Article Content
Abstract

This study aims to shed light on adolescents’ characterizations of their preferred film entertainment. It seeks to describe the psychological responses of youngsters from two European countries (Italy and Spain) to dramas from the European region about current social/human issues. The study also seeks to determine if the adolescents’ responses differ according to the film and the cultural context (country) to which they belong. For doing so, the research applies an innovative visual research technique in Media Communication: a correlational network analysis. A total of 234 Italian and Spanish adolescents watched three European dramas. Later, they completed four questionnaires measuring hedonic (enjoyment), eudaimonic (appreciation) responses and predictors of them (narrative engagement and perceived realism). The results present the visual intercorrelations of the studied variables, which give deeper insights into youngsters’ gratifications in film consumption. These results suggest that films appear to be more influential than country in adolescents’ responses. They also show there are specific models of responses for each film in each situation. The application of the visual quantitative tool broadens our knowledge on adolescents’ entertainment through dramatic film and on the role of the cultural context and the audiovisual stimulus in the entertainment responses. It also challenges empirical studies using a single stimulus.
Keywords
References
Angulo-Brunet, A & Soto-Sanfiel M. T. (2020). Understanding appreciation among German, Italian and Spanish teenagers. Communications, 45(1), 5-27 https://www.doi.org/10.1515/commun-2018-2018
Banerjee, S. C. & Greene, K. (2012). Role of Transportation in the Persuasion Process: Cognitive and affective responses to antidrug narratives, Journal of Health Communication, 17(5), 564-581. https://www.doi.org/10.1080/10810730.2011.635779
Bartsch, A. & Hartmann, T. (2017). The role of cognitive and affective challenge in entertainment experience. Communication Research, 44(1), 29-53. https://www.doi.org/10.1177/0093650214565921
Barrouillet, P. & Lepine, R. (2005). Working memory and children’s use of retrieval to solve addition problems. Journal of Experimental Child Psychology, 91(3), 183-204. https://www.doi.org/10.1016/j.jecp.2005.03.002
Bowman, N. D., Jöckel, S. & Dogruel, L. (2012). A question of morality? The influence of moral salience and nationality on media preferences. Communications, 37(4), 345-369. https://www.doi.org/10.1515/commun-2012-0020
Busselle, R. & Bilandzic, H. (2009). Measuring Narrative Engagement. Media Psychology, 12(4), 321-347. https://www.doi.org/10.1080/15213260903287259
Busselle, R. & Bilandzic, H. (2008). Fictionality and perceived realism in experiencing stories: A model of narrative comprehension and engagement. Communication Theory, 18(2), 255-280. https://www.doi.org/10.1111/j.1468-2885.2008.00322.x
Busselle, R. W. & Greenberg, B. S. (2000). The nature of television realism judgments: A reevaluation of their conceptualization and measurement. Mass Communication & Society, 3(3), 249-268. https://www.doi.org/10.1207/S15327825MCS0323_05
Carstensen, L. L., Isaacowitz, D. M. & Charles, S. T. (1999). Taking time seriously: A theory of socioemotional selectivity. American Psychologist, 54(3), 165-181. https://www.doi.org/10.1037/0003-066X.54.3.165
Costantini, G., Richetin, J., Borsboom, D., Fried, E. I., Rhemtulla, M. & Perugini, M. (2015). Development of indirect measures of conscientiousness: combining a facets approach and network analysis. European Journal of Personality, 29(5), 548-567. https://www.doi.org/10.1002/per.2014
Cupchik, G. C. (1994). Emotion in aesthetics: Reactive and reflective models. Poetics, 23, 177-188. https://www.doi.org/10.1016/0304-422X(94)00014-W
Cupchik, G. C. (2016). The aesthetics of emotions. Up the down staircase of mind-body. Cambridge: Cambridge University Press. https://www.doi.org/10.1017/CBO9781139169301
Cupchik, G. C. & Gignac, A. (2007). Finding meaning and expressing emotion in response to artworks. Visual Arts Research, 33(1) 56-71. Retrieved from https://www.jstor.org/stable/20715434?
Dalege, J., Borsboom, D., van Harreveld, F., van den Berg, H., Conner, M. & van der Maas, H. L. J. (2016). Toward a formalized account of attitudes: The Causal Attitude Network (CAN) model. Psychological Review, 123(1), 2-22. https://www.doi.org/10.1037/a0039802
Epskamp, S., Borsboom, D. & Fried, E. I. (2018). Estimating psychological networks and their accuracy: A tutorial paper. Behavior Research Methods, 50(1), 195-212. https://www.doi.org/10.3758/s13428-017-0862-1
Epskamp, S., Cramer, A. O. J., Waldorp, L. J, Scmittmann, V. D. & Borsboom, D. (2012). qgraph: Network visualizations of relationships in psychometric data. Journal of Statistical Software, 48(4), 1-18. Retrieved from: http://www.jstatsoft.org/v48/i04/
Forbush, K., Siew, C. & Vitevitch, M. (2016). Application of network analysis to identify interactive systems of eating disorder psychopathology. Psychological Medicine, 46(12), 2667-2677. https://www.doi.org/10.1017/S003329171600012X
Fu, W. W. (2013). National audience tastes in Hollywood film genres: cultural distance and linguistic affinity. Communication Research, 40(6), 789-817. https://www.doi.org/10.1177/0093650212442085
Fu, W. W. (2012). Cross-country comparison of audience tastes in Hollywood movies: Cultural distance and genre preferences. In S. A. Pager & A., Candeub (Eds.), Transnational culture in the Internet age (pp. 370-388). Edward Elgar: Cheltenham.
Fu, W. W. & Govindaraju, A. (2010). Explaining global box-office tastes in Hollywood films: Homogenization of national audiences’ movie selections. Communication Research, 37(2), 215-238. https://www.doi.org/10.1177/0093650209356396
Green, M. C. (2004). Transportation into narrative worlds: The role of prior knowledge and perceived realism. Discourse Processes, 38(2), 247–266. https://www.doi.org/10.1207/s15326950dp3802_5
Green, M. C. & Brock, T. C. (2000). The role of transportation in the persuasiveness of public narratives. Journal of Personality and Social Psychology, 79(5), 701-721. https://www.doi.org/10.1037/0022-3514.79.5.701
Green, M. C., Brock, T. C. & Kaufman, G. F. (2004). Understanding media enjoyment: The role of transportation into narrative worlds. Communication Theory, 14(4), 311-327. https://www.doi.org/10.1111/j.1468-2885.2004.tb00317.x
Hall, A. E. (2003). Reading realism: Audiences’ evaluations of the reality of media texts. Journal of Communication, 53(4), 624-641. https://www.doi.org/10.1111/j.1460-2466.2003.tb02914.x
Hall, A. E. (2015). Entertainment-oriented gratifications of sports media: Contributors to suspense, hedonic enjoyment, and appreciation. Journal of Broadcasting & Electronic Media, 59(2), 259-277. https://www.doi.org/10.1080/08838151.2015.1029124
Ibiti, A. & Soto-Sanfiel, M. T. (2018). Prejudice and morality in responses to films about lesbians: From perceived realism to enjoyment and appreciation. Sexuality & Culture, 23, 585-604. https://www.doi.org/10.1007/s12119-018-9575-6
Igartua, J. .J. & Barrios, I. (2012). Changing real-world beliefs with controversial movies: Processes and mechanisms of narrative persuasion. Journal of Communication, 62, 514-531 https://www.doi.org/10.1111/j.1460-2466.2012.01640.x
Kim, J. & Tsay-Vogel, M. (2016). Enjoyment and appreciation as motivators for coping: Exploring the therapeutic effects of media messages on perceived threat. International Journal of Communication, 10, 1786-1808. Retrieved from https://ijoc.org/index.php/ijoc/article/view/3960
Krakowiak, K. M. & Oliver, M. B. (2012). When good characters do bad things: Examining the effect of moral ambiguity on enjoyment. Journal of Communication, 62, 117-135. https://www.doi.org/10.1504/IJART.2011.037772
Mares, M.L., Oliver, M.B. & Cantor, J. (2008). Age differences in adults’ emotional motivations for exposure to films. Media Psychology, 11(4), 488-511. https://www.doi.org/10.1080/15213260802492026
McQueen, A., Kreuter, M. W., Kalesan, B. & Alcaraz, K. I. (2011). Understanding narrative effects: The impact of breast cancer survivor stories on message processing, attitudes, and beliefs among African American women. Health Psychology, 30(6), 674-682. https://www.doi.org/10.1037/a0025395
Morley, D. (1992). Television, Audiences and Cultural Studies. London: Routledge.
Nabi, R. L. & Krcmar, M. (2004). Conceptualizing media enjoyment as attitude: Implications for mass media effects research. Communication Theory, 14, 288-310. https://www.doi.org/10.1111/j.1468-2885.2004.tb00316.x
Oliver, M. B. (2008). Tender affective states as predictors of entertainment preference. Journal of Communication, 58(1), 40-61. https://www.doi.org/10.1111/j.1460-2466.2007.00373.x
Oliver, M. B. & Bartsch, A. (2010). Appreciation as audience response: Exploring entertainment gratifications beyond hedonism. Human Communication Research, 36(1), 53-81. https://www.doi.org/10.1111/j.1468-2958.2009.01368.x
Oliver, M. B. & Hartmann, T. (2010). Exploring the role of meaningful experiences in users’ appreciation of good movies. Projections, 4(2), 128-150. https://www.doi.org/10.3167/proj.2010.040208
Oliver, M. B. & Raney, A. A. (2011). Entertainment as pleasurable and meaningful: Identifying hedonic and eudaimonic motivations for entertainment consumption. Journal of Communication, 61(5), 984–1004. https://www.doi.org/10.1111/j.1460-2466.2011.01585.x
Palmgreen, P. & Rayburn, J. D. (1982). Gratifications sought and media exposure. An expectancy value model. Communication Research, 9, 561-580.
Pons, J., Viladrich, C. & Ramis, Y. (2017). Examining the big three of coping in adolescent athletes using network analysis. Revista Psicología del Deporte. 26, 68-74.
Piaget, J. (1954). The Construction of Reality in the Child. New York, NY: Basic Books.
Rieger, D., Frischlich, L., Högden, F., Kauf, R., Schramm, K. & Tappe, E. (2015). Appreciation in the face of death: Meaningful films buffer against death-related anxiety: Meaningful media as death anxiety buffer. Journal of Communication, 65(2), 351-372. https://www.doi.org/10.1111/jcom.12152
Rubin, A. M. (2009). Uses and gratifications perspective on media effects. In J. Bryant & M. B. Oliver (Eds.), Media effects: Advances in theory and research (3rd. Ed., pp. 165-184). New York, NY: Routledge.
Rubin, A. M. (1994). Media uses and effects: A uses-and-gratifications perspective. In J. Bryant & D. Zillmann (Eds.), Media effects: Advances in theory and research (pp. 417–436). Hillsdale, NJ: Lawrence Erlbaum.
Ruggiero, T. E. (2000). Uses and gratifications theory in the 21st century. Mass Communication & Society, 31(3), 3-37. https://www.doi.org/10.1207/S15327825MCS0301_02
R Core Team (2018). R: A language and environment for statistical computing (Version 3.5.1) [Computer software]. https://www.r-project.org/
Shapiro, M. A., Peña-Herborn, J. & Hancock, J. T. (2006). Realism, Imagination, and Narrative Video Games. In P. Vorderer & J. Bryant (Eds.), Playing video games: Motives, responses, and consequences (pp. 275-289). Mahwah, NJ: Lawrence Erlbaum Associates Publishers.
Slater, M. D. & Rouner, D. (2002). Entertainment-education and elaboration likelihood: Understanding the processing of narrative persuasion. Communication Theory, 12(2), 173-191. https://www.doi.org/10.1111/j.1468-2885.2002.tb00265
Soto-Sanfiel, M. T. (2014). Engagement and mobile listening. International Journal of Mobile Communications, 13(1), 29-50. https://www.doi.org/10.1504/IJMC.2015.065889
Soto-Sanfiel, M. T. & Angulo-Brunet, A. (2020). How European adolescents get engaged with films? Psychometric properties of the narrative engagement scale. Profesional de la Información, 29(5). https://www.doi.org/10.3145/epi.2020.sep.02
Soto-Sanfiel, M. T. & Igartua, J. J. (2016). Cultural proximity and interactivity in the process of narrative reception. International Journal of Arts and Technology, 9(2), 87-107. https://www.doi.org/10.1504/IJART.2016.077234
Soto-Sanfiel, M. T., Palencia Villa, R. M. & Ibiti, A. (2014). The role of sexual orientation and gender in the appreciation of lesbian narratives. InMedia, 5, 1-27. Retrieved from http://inmedia.revues.org/775.
Soto-Sanfiel, M. T., Villegas-Simón, I. & Angulo-Brunet, A. (2019). Uses and consumption of cinema by European adolescents: a cross-cultural study. Studies in European Cinema. https://www.doi.org/10.1080/17411548.2019.1613044
Soto-Sanfiel, M., Villegas-Simón, I. & Angulo-Brunet, A. (2018). Youngsters and cinema in the European Union: A cross-cultural study on their conceptions and knowledge about cinema. International Communication Gazette, 80(8), 714-745. https://www.doi.org/10.1177/1748048518759171
Straubhaar, J. D. (1991). Beyond media imperialism: Assymetrical interdependence and cultural proximity. Critical Studies in Mass Communication, 8, 39-59. https://www.doi.org/10.1080/15295039109366779
Van Leeuwen, L., Renes, R. J. & Leeuwis, C. (2012). Televised entertainment-education to prevent adolescent alcohol use: Perceived realism, enjoyment, and impact. Health Education & Behavior, 40(2), 193-205. https://www.doi.org/10.1177/1090198112445906
Vorderer, P., Klimmt, C. & Ritterfeld, U. (2004), Enjoyment: At the heart of media Entertainment. Communication Theory, 14(4), 388-408. https://www.doi.org/10.1111/j.1468-2885.2004.tb00321.x
Wirth, W., Hofer, M. & Schramm, H. (2012). Beyond pleasure: Exploring the eudaimonic entertainment experience. Human Communication Research, 38(4), 406–428. https://www.doi.org/10.1111/j.1468-2958.2012.01434.x
Details
Article Details
RIGHTS TRANSFER
By submitting the article for evaluation and subsequent publication in Communication & Society, the AUTHOR exclusively assigns the rights of public communication, reproduction, distribution and sale for commercial exploitation to the University of Navarra through its Publications Service, for the maximum legal term in force -the entire life of the author and seventy years after his death or declaration of death-, in any country, and in any of the current and future edition modalities, both in print and electronic versions.
In the event that the article is not accepted for publication , this transfer of rights lapses with the communication of the refusal to the AUTHOR.
The AUTHOR affirms that the article is unpublished, that it has not been sent simultaneously to another publication medium and that the rights have not been transferred exclusively previously. He is responsible to the University of Navarra through its Publications Service for the authorship and originality of his work, as well as for all pecuniary charges that may arise for the University of Navarra through its Publications Service, in favor of third parties due to actions, claims or conflicts arising from the breach of obligations by the AUTHOR.