Exploring TV Seriality Through the Lens of Social Media: A Semi-Systematic Literature Review

Greta Iapalucci
Marta Rocchi
323

Abstract

The engagement of TV active audiences is predominantly manifest on social media as part of a broad phenomenon called “Social TV.” Through a Semi-Systematic Literature Review, the aim of this paper is to outline the main research lines and gaps in social media research to study TV seriality, a macro-genre experiencing a continual increase in both production volume and global viewership. Through the coding method, the research lines are drawn relying on the aims, methods, platforms and time evolution of the collected publications. Results have shown the high interdisciplinarity of social media research on TV seriality and its prominent focus on the analysis of user behavior. Further investigations should include, but not be limited to, the reception of sensitive themes embedded into the storylines. Nonetheless, future research may encounter challenges owing to recent alterations in Twitter’s (now: X) policies, the predominant social medium utilized for the analysis of TV seriality.

Keywords:
Social media, TV seriality, social TV, coding, literature review

Authors

Greta Iapalucci
Marta Rocchi

References

Adams, B. A. (2022). “Whole Self to the World”: Creating Affective Worlds and Black Digital Intimacy in the Fandom of The Misadventures of Awkward Black Girl and Insecure. Digital Humanities Quarterly, 16(3). Retrieved from https://www.digitalhumanities.org/dhq/vol/16/3/000639/000639.html

Afdjani, H. & Simanjuntak, D. (2020). The Strategy of Drama Series “Lonceng Cinta” in Increas-ing Public Interest Through Social Media Twitter. Environment-Behaviour Proceedings Journal, 5(SI1), 47-51. https://doi.org/10.21834/ebpj.v5iSI1.2296

Ahn, J., Ma, K., Lee, O., & Sura, S. (2017). Do big data support TV viewing rate forecasting? A case study of a Korean TV drama. Information Systems Frontiers, 19(2), 411-420. https://doi.org/10.1007/s10796-016-9659-5

Ames, M. (2018). Media Criticism and Morality Policing on Twitter: Fan Responses to “How to Get Away with Murder”. In R. A. Griffin & M. D. E. Meyer (Eds.), Adventures in Shondaland: Identity Politics and the Power of Representation (pp. 214-234). Rutgers University Press.

Anderson-Lopez, J., Lambert, R. J., & Budaj, A. (2021). Tug of War: Social Media, Cancel Culture, and Diversity for Girls and The 100. KOME, 9(1), 64-84. https://doi.org/10.17646/KOME.75672.59

Andò, R. (2015). Fashion and fandom on TV and social media: Claire Underwood’s power dressing. Critical Studies in Fashion & Beauty, 6(2), 207-231. https://doi.org/10.1386/csfb.6.2.207_1

Andy, A., Kriz, R., Guntuku, S. C., Wijaya, D. T., & Callison-Burch, C. (2022). Did that happen? Predicting Social Media Posts that are Indicative of what happened in a scene: A case study of a TV show. Proceedings of the Thirteenth Language Resources and Evaluation Conference, 7209-7214. Retrieved from: https://aclanthology.org/2022.lrec-1.781/

Anselmo, D. W. (2018). Gender and Queer Fan Labor on Tumblr: The Case of BBC’s Sherlock. Feminist Media Histories, 4(1), 84-114. https://doi.org/10.1525/fmh.2018.4.1.84

Antelmi, A., Breslin, J., & Young, K. (2018). Understanding User Engagement with Entertainment Media: A Case Study of the Twitter Behaviour of Game of Thrones (GoT) Fans. 2018 IEEE Games, Entertainment, Media Conference (GEM), 1-9. https://doi.org/10.1109/GEM.2018.8516505

Antonakaki, D., Fragopoulou, P., & Ioannidis, S. (2021). A survey of Twitter research: Data model, graph structure, sentiment analysis and attacks. Expert Systems with Applications, 164, 114006. https://doi.org/10.1016/j.eswa.2020.114006

Arcy, J., & Johnson, Z. (2017). Intersectional critique and social media activism in “Sleepy Hollow” fandom. Transformative Works and Cultures, 26. https://doi.org/10.3983/twc.2018.1132

Asbeek Brusse, E. D., Fransen, M. L., & Smit, E. G. (2015). Educational Storylines in Entertain-ment Television: Audience Reactions Toward Persuasive Strategies in Medical Dramas. Journal of Health Communication, 20(4), 396-405. https://doi.org/10.1080/10810730.2014.965365

Aykol, B., İpek, İ., & Biçakcioglu-Peynirci, N. (2022). TV series adaptations and their repercussions on consumers: Insights from two complementary qualitative analyses. Journal of Marketing Management, 38(3-4), 183-218. https://doi.org/10.1080/0267257X.2021.1940244

Barra, L. & Scaglioni, M. (2014). TV Goes Social: Italian Broadcasting Strategies and the Challenges of Convergence. VIEW Journal of European Television History and Culture, 3(6), 110. https://doi.org/10.18146/2213-0969.2014.jethc074

Barrientos-Bueno, M. (2015). Expansión narrativa de Víctor Ros: Transmedia storytelling en twitter, Opción 31(3), 161-181. Retrieved from https://www.redalyc.org/articulo.oa?id=31045567010

Bisoni, C. (2018). Pubblici, utenti, spettatori: il ruolo dell’audience nell’ecosistema dei media. In G. Pescatore (Ed.), Ecosistemi narrativi. Dal fumetto alle serie TV (pp. 174-185). Carocci.

Boisvert, S. (2020). ‘Queering’ TV, one character at a time: How audiences respond to gender-diverse TV series on social media platforms. Critical Studies in Television, 15(2), 183-201. https://doi.org/10.1177/1749602020914479

Bolin, G. (2012). The Labour of Media Use. Information, Communication & Society, 15(6), 796-814. https://doi.org/10.1080/1369118X.2012.677052

Borges, G. & Sigiliano, D. (2022). Limantha fandom activism on Twitter: Media competence analysis about social issues discussions. Comunicación y Sociedad, 1-24. https://doi.org/10.32870/cys.v2022.8299

Bourdaa, M. (2018). Tumblr as a methodological tool for data archiving: The case of a Calzona Tumblr. Transformative Works and Cultures, 27. https://doi.org/10.3983/twc.2018.1261

Boyd, D. & Crawford, K. (2012). Critical Questions for Big Data. Information, Communication & Society, 15(5), 662-679. https://doi.org/10.1080/1369118X.2012.678878

Braun, V. & Clarke, V. (2006). Using thematic analysis in psychology. Qualitative Research in Psychology, 3(2), 77-101. https://doi.org/10.1191/1478088706qp063oa

Bredl, K., Ketzer, C., Hünniger, J., & Fleischer, J. (2013). Twitter and Social TV-Microblogging as a New Approach to Audience Research. In G., Patriarche, H., Bilandzic, J. L., Jensen, & J. Jurisic (Eds.), Researching Transforming Audiences: Methodological Issues and Innovations in Audience Research (pp. 196-211). Routledge.

Breakwell G. M., Wright D. B., & Barnett, J. (2020). Research Methods in Psychology (5th Ed.). Sage.

Burgess, J. & Matamoros-Fernández, A. (2016). Mapping sociocultural controversies across digital media platforms: One week of #gamergate on Twitter, YouTube, and Tumblr. Communication Research and Practice, 2(1), 79-96. https://doi.org/10.1080/22041451.2016.1155338

Burkhalter, J. N. & Wood, N. T. (2019). #SocialTV: Engaging viewers through social media. Journal of Digital & Social Media Marketing, 7(2), 148-162. Retrieved from https://ideas.repec.org/a/aza/jdsmm0/y2019v7i2p148-162.html

Bury, R. (2021). ‘A small Christmas for me’: A Study of Binge-Watching and Fan Engagement on Reddit. In M. Jenner (Ed.), Binge-Watching and Contemporary Television Research (pp. 40-58). Edinburgh University Press. https://doi.org/10.1515/9781474462006-005

Buschow, C., Schneider, B., & Ueberheide, S. (2014). Tweeting television: Exploring communica-tion activities on Twitter while watching TV. Communications, 39(2), 129-149. https://doi.org/10.1515/commun-2014-0009

Calma, J. (2023, May 23) Twitter just closed the book on academic research. The Verge. Retrieved from https://www.theverge.com/2023/5/31/23739084/twitter-elon-musk-api-policy-chilling-academic-research

Cameron, J. & Geidner, N. (2014). Something Old, Something New, Something Borrowed From Something Blue: Experiments on Dual Viewing TV and Twitter. Journal of Broadcasting & Electronic Media, 58(3), 400-419. https://doi.org/10.1080/08838151.2014.935852

Carelli, P. (2017). Quando la tv incontra la rete: la social tv. In M. Scaglioni & A. Sfardini (Eds.), La televisione. Modelli teorici e percorsi d’analisi (pp. 251-63). Carocci.

Castellano, M., Meimaridis, M., & Dos Santos Junior, M. (2017). Game of Spoilers: Adapted Works and Fan Consumption Disputes in Brazil. Intensities Journal Of Cult Media, 74-86. Retrieved from https://www.academia.edu/32942308/Game_of_Spoilers_Adapted_Works_and_Fan_Consumption_Disputes_in_Brazil

Castro, D. & Straubhaar, J. D. (2018). Social Issues and TV Scripted Fiction: An Exploration of Fans’ Feedback in Spain. International Journal of Communication, 12, 3368-3389. Retrieved from https://ijoc.org/index.php/ijoc/article/view/7618

Chatman, D. (2017). Black twitter and the politics of viewing scandal. In J. Gray, C. Sandvoss, & C. L. Harrington (Eds.), Fandom, Second Edition (pp. 299-314). New York University Press. https://doi.org/10.18574/nyu/9781479845453.003.0021

Chintalapati, S. & Pandey, S. K. (2022). Artificial intelligence in marketing: A systematic literature review. International Journal of Market Research, 64(1), 38-68. https://doi.org/10.1177/14707853211018428

Creswell, J. W. (2014). A concise introduction to mixed methods research. Sage.

Dalkiliç, F. & Çam, A. (2021). Automatic Movie Rating by Using Twitter Sentiment Analysis and Monitoring Tool. Journal of Emerging Computer Technologies, 1(2), 55-60. Retrieved from https://dergipark.org.tr/en/pub/ject/issue/64442/1026233

Davis, J., Mengersen, K., Bennett, S., & Mazerolle, L. (2014). Viewing systematic reviews and meta-analysis in social research through different lenses. SpringerPlus, 3(1), 511. https://doi.org/10.1186/2193-1801-3-511

DeGroot, J. M. & Leith, A. P. (2018). R.I.P. Kutner: Parasocial Grief Following the Death of a Television Character. OMEGA - Journal of Death and Dying, 77(3), 199-216. https://doi.org/10.1177/0030222815600450

De Michele, R., Ferretti, S., & Furini, M. (2019). On helping broadcasters to promote tv-shows through hashtags. Multimedia Tools and Applications, 78(3), 3279-3296. https://doi.org/10.1007/s11042-018-6510-7

del Mar Grandío, M. & Joseba, B. (2012). Transmedia audiences and television fiction: A comparative approach between Skins (UK) and El Barco (Spain). Participations, 9(2), 558-574. Retrieved from: https://www.participations.org/09-02-31-grandio.pdf

Dimitrakopoulou, D. (2014). “Sex and the City” : Le produit télévisuel de la post-modernité dans les réseaux sociaux. Synergies Sud-Est européen, 4, 71-84. Retrieved from https://gerflint.fr/Base/SE_europeen4/dimitrakopoulou.pdf

Doughty, M., Rowland, D., & Lawson, S. (2012). Who is on your sofa? TV audience communities and second screening social networks. Proceedings of the 10th European Conference on Interactive TV and Video, 79-86. https://doi.org/10.1145/2325616.2325635

Ebanks, L., Beresford, S., & Topic, M. (2019). ‘Thanks, but it is more about interacting with fans for us”: Twitter Communication between BBC’s Sherlock and NBC’s Hannibal Fans and Producers. The Journal of Social Media in Society, 8(1). Retrieved from https://thejsms.org/index.php/JSMS/article/view/385/275

Elliott, V. (2018). Thinking about the coding process in qualitative data analysis. Qualitative Report, 23(11). https://doi.org/10.46743/2160-3715/2018.3560

Fiske, J. (1987). Television Culture. Methuen.

García-Avilés, J. A. & Hernández, U. M. (2012). Roles of audience participation in multiplatform television: From fans and consumers to collaborators and activists. Participations, 9(2), 429-447. Retrieved from http://dspace.umh.es/bitstream/11000/4574/1/45-Roles%20of%20audience%20participation%20in%20multiplatform%20TV%20Garcia-Aviles.pdf

Geerts, D., Cesar, P., & Bulterman, D. (2008). The implications of program genres for the design of social television systems. Proceedings of the 1st international conference on Designing interactive user experiences for TV and video, 71-80. https://doi.org/10 .1145/1453805.1453822

Gerrard, Y. (2017). “It’s a secret thing”: Digital disembedding through online teen drama fandom. First Monday. https://doi.org/10.5210/fm.v22i8.7877

Gerzic, M. (2018). Re-fashioning Richard III: Intertextuality, Fandom, and the (Mobile) Body in “The Hollow Crown”: “The Wars of the Roses”. In R. Gerzic & A. Norrie (Eds.), From Medievalism to Early-Modernism (pp. 188-206). Routledge.

Goodman, L. A. (1961). Snowball Sampling. The Annals of Mathematical Statistics, 32(1), 148-170. https://doi.org/10.1214/aoms/1177705148

Guerrero-Pico, M. (2017). #Fringe, Audiences and Fan Labor: Twitter Activism to Save a TV Show From Cancellation. International Journal of Communication, 11(22), 2071-2092. Retrieved from https://ijoc.org/index.php/ijoc/article/view/4020/2035

Hagy, M., Hamilton, A., & Miller, C. (2019). A Content Analysis of Live Tweets of “This Is Us”. In D. Grady (Ed.), The Golden Age of Data (pp. 254-260). Routledge.

Harrington, S., Highfield, T., & Bruns, A. (2013). More than a backchannel: Twitter and television. Participations, 10(1), 405-409. Retrieved from https://www.participations.org/10-01-31-harrington.pdf

Harris, F. L. & Coleman, L. S. (2018). Trending Topics: A Cultural Analysis of “Being Mary Jane” and Black Women’s Engagement on Twitter. The Black Scholar, 48(1), 43-55. https://doi.org/10.1080/00064246.2018.1402255

Hiebl M. R. W. (2023). Sample Selection in Systematic Literature Reviews of Management Research. Organizational Research Methods, 26(2), 229-261. https://doi.org/10.1177/1094428120986851

Higueras, S. J. V. & Olmo, F. J. R. (2020). La imagen de los jóvenes en las estrategias transmedia de las series de televisión: El caso de “Skam” España en Instagram. Ámbitos. Revista Internacional de Comunicación, 50, 31-48. https://doi.org/10.12795/Ambitos.2020.i50.03

Higueras-Ruiz, M.-J. & Alberich-Pascual, J. (2021). Estrategias de interacción y comunicación de showrunners de series de ficción televisiva de Netflix en Twitter. Comunicación y Sociedad, 1-25. https://doi.org/10.32870/cys.v2021.7772

Hoffman, B. L., Rosenthal, E. L., Colditz, J. B., Mcgarry, R., & Primack, B. A. (2018). Use of Twitter to Assess Viewer Reactions to the Medical Drama, Code Black. Journal of Health Communication, 23(3), 244-253. https://doi.org/10.1080/10810730.2018.1426660

Iapalucci, G. (2023). Adopting NLP techniques to analyze Twitter social discourses around The Good Doctor. In S. Antonioni & M. Rocchi (Eds.), Investigating medical drama TV series: Approaches and perspectives (14th Media Mutations International Conference). https://doi.org/10.21428/93b7ef64.89b846a6

Innocenti, V. & Pescatore, G. (2008) Le nuove forme della serialità televisiva. Storia, linguaggio e temi. Archetipolibri.

Jeewa, Z. & Wade, J. P. (2015). Playing with Identity: Fan Role Playing on Twitter. Alternation, 22(2), 216-240. Retrieved from https://www.academia.edu/19075490/Playing_with_Identity_Fan_Role_Playing_on_Twitter

Jenkins, H. (1992). Textual Poachers: Television Fans and Participatory Culture. Routledge.

Jerslev, A. (2018). ‘A real show for mature women’ ageing along with ageing stars: “Grace and Frankie” fandom on Facebook. Celebrity Studies, 9(2), 186-201. https://doi.org/10.1080/19392397.2018.1465298

Ji, Q. & Raney, A. A. (2015). Morally Judging Entertainment: A Case Study of Live Tweeting During “Downton Abbey”. Media Psychology, 18(2), 221-242. https://doi.org/10.1080/15213269.2014.956939

Kanai, A., Abidin, C., & Hart, M. (2020). The challenges of doing qualitative research on Tumblr: Experience and advice from three scholars of young people’s Tumblr use. In A. McCracken, A. Cho, L. Stein, & I. N. Hoch (Eds.), A Tumblr book: Platform and cultures (pp. 114-126). University of Michigan Press.

Kaufman, M. R., Bazell, A. T., Collaco, A., & Sedoc, J. (2021). “This show hits really close to home on so many levels”: An analysis of Reddit comments about HBO’s “Euphoria” to understand viewers’ experiences of and reactions to substance use and mental illness. Drug and Alcohol Dependence, 220. https://doi.org/10.1016/j.drugalcdep.2020.108468

Kim, D., Park, K., & Bang, Y. (2022). The effect of TV drama piracy: An analysis of digital piracy users, internet buzz, and TV drama viewership. Information & Management, 59(2). https://doi.org/10.1016/j.im.2022.103599

Klepper, D. (2023, August 1). Musk threatens to sue researchers who documented the rise in hateful tweets. AP News. Retrieved from https://apnews.com/article/elon-musk-lawsuit-cchd-twitter-x-hate-speech-extremism-434a80631f9e76833ee30387c04dd290

Kumar, S., De, K., & Roy, P. P. (2020). Movie Recommendation System Using Sentiment Analysis From Microblogging Data. IEEE Transactions on Computational Social Systems, 7(4), 915-923. https://doi.org/10.1109/TCSS.2020.2993585

Kyewski, E., Szczuka, J. M., & Krämer, N. C. (2018). The protagonist, my Facebook friend: How cross-media extensions are changing the concept of parasocial interaction. Psychology of Popular Media Culture, 7(1), 2-17. https://doi.org/10.1037/ppm0000109

Lacalle, C. & Castro, D. (2017). Self-identity disclosure in TV Fandom. Analysing the comments posted by Spanish female fans and community managers. Revista Latina de Comunicación Social, 73, 1-18. Retrieved from https://repub.eur.nl/pub/112662/Repub_112662.pdf

Lacalle Zalduendo, M. R. & Simelio, N. (2017). Television fiction and online communities: An analysis of comments on social networks and forums made by female viewers. Critical Studies in Media Communication, 34, 449-463. https://doi.org/10.1080/15295036.2017.1358820

Lacey, N. (2018). Image and representation: Key concepts in media studies. Bloomsbury.

Liberati, A., Altman, D. G., Tetzlaff, J., Mulrow, C., Gøtzsche, P. C., Ioannidis, J. P. A., Clarke, M., Devereaux, P. J., Kleijnen, J., & Moher, D. (2009). The PRISMA statement for reporting systematic reviews and meta-analyses of studies that evaluate healthcare interventions: Explanation and elaboration. BMJ, 339. https://doi.org/10.1136/bmj.b2700

Livingstone, S. (2019). Audiences in an age of datafication: Critical questions for media research. Television & New Media, 20(2), 170-183. https://doi.org/10.1177/1527476418811118

Lorente-Cano, M. (2011). “Social TV” en España: Concepto, desarrollo e implicaciones. Cuadernos de Gestión de Información, 1, 55-64. https://digitum.um.es/digitum/bitstream/10201/50897/1/207531-742091-1-PB.pdf

Lowe, D., Galhotra, B., & Ahuja, Y. (2019). Unfurling the latest patterns of entertainment consumption by Indian audience: A twitter sentiment analysis. International Journal of Recent Technology and Engineering, 7, 135-139. Retrieved from https://www.ijrte.org/portfolio-item/f90440476c19/

Lowe, D., Galhotra, B., & Ahuja, Y. (2020). Discovering Binge watching and Audience Engagement through Sentiment Analysis. International Journal of Advanced Science and Technology, 29, 8030-8038. Retrieved from http://sersc.org/journals/index.php/IJAST/article/view/24622

Maldonado, M. A. C. (2015). La extensión del relato audiovisual en las redes sociales: El caso de las series de ficción “Cuéntame cómo pasó” de España y “Los 80” de Chile. Razón y Palabra, 19(1_89), 235-249. Retrieved from https://www.revistarazonypalabra.org/index.php/ryp/article/view/238/276

Malik, H., Shakshuki, E. M., & Yasar, A.-U.-H. (2022). Approximating Viewership of Streaming T.V Programs Using Social Media Sentiment Analysis. Procedia Computer Science, 198, 94-101. https://doi.org/10.1016/j.procs.2021.12.215

Mangas-Vega, A., Dantas, T., Sánchez-Jara, J. M., & Gómez-Díaz, R. (2018). Systematic Literature Reviews in Social Sciences and Humanities: A Case Study. Journal of Information Technology Research (JITR), 11(1), 1-17. https://doi.org/10.4018/JITR.2018010101

Martínez-Borda, R., de-la-Fuente, J., & Lacasa, P. (2021). Digital Narratives During the Pandemic: TV Series, Social Media, and Conversations on the Internet. Frontiers in Psychology, 12. https://doi.org/10.3389/fpsyg.2021.677713

Martínez-Borda, R., Lara, I. B., & Díaz, P. L. (2022). Transmedia Narratives and Social Networks: Peaky Blinders’ Television Fiction. International Journal of Film and Media Arts, 7(2). https://doi.org/10.24140/ijfma.v7.n2.03

Martínez-Sala, A. M., Barrientos-Báez, A., & Caldevilla-Domínguez, D. (2021). Television Fandom. Study of Its Impact on the Netflix’s Social Media Communication Strategy. Revista de Comunicación de La SEECI, 54, 57-80. https://doi.org/10.15198/seeci.2021.54.e689

Mascio, A. (2017). Tv Series and Fashion: A Look to the Audiences’ Activities. Tv Series and Fashion : A Look to the Audiences’ Activities, 1, 79-90. https://doi.org/10.1400/251264

Matthews, J. C. (2018). A past that never was: Historical poaching in “Game of Thrones” fans’ Tumblr practices. Popular Communication, 16(3), 225-242. https://doi.org/10.1080/15405702.2018.1453070

McPherson, K., Huotari, K., Cheng, F. Y. S., Humphrey, D., Cheshire, C., & Brooks, A. L. (2012). Glitter: A mixed-methods study of twitter use during glee broadcasts. Proceedings of the ACM 2012 conference on Computer Supported Cooperative Work Companion, 167-170. https://doi.org/10.1145/2141512.2141569

Minami, D., Ushijima, M., & Ushiama, T. (2018). How do viewers react to drama? Extraction of scene features of dramas from live commentary tweets. Proceedings of the 12th International Conference on Ubiquitous Information Management and Communication, 1-4. https://doi.org/10.1145/3164541.3164616

Molteni, L. & Ponce De Leon, J. (2016). Forecasting with twitter data: An application to USA TV series audience. International Journal of Design & Nature and Ecodynamics, 11(3), 220-229. https://doi.org/10.2495/DNE-V11-N3-220-229

Monclús, B., García-Muñoz, N., Delgado, M., Franquet, R., Prado, E., & Mendoza, A. (2019). Una propuesta discreta: apelaciones a las redes sociales de programas populares en Europa. Cuadernos.info, 45. https://doi.org/10.7764/cdi.45.1562

Navar-Gill, A. (2018). From strategic retweets to group hangs: Writers’ room Twitter accounts and the productive ecosystem of TV social media fans. Television & New Media, 19(5), 415-430. https://doi.org/10.1177/1527476417728376

Navarro, C., Delgado, M., Paz, E., García-Muñoz, N., & Mendoza, A. (2021). Comparative analysis of the broadcaster’s Twitter strategies of the highest-rated British and Spanish TV series. Catalan Journal of Communication & Cultural Studies, 13(1), 101-119. https://doi.org/10.1386/cjcs_00041_1

Navío-Navarro, M. (2021). Contenidos eficientes en redes sociales: la promoción de series de Netflix. INDEX COMUNICACION, 11(1), 239-270. https://doi.org/10.33732/ixc/11/01Conten

Negrete, G. & McManus, T. (2021). “Okay Twitter”¦ Trend this, Sucka! #Supernatural”: A Content Analysis of the Supernatural Fandom’s Use of Live-tweeting. The Journal of Social Media in Society, 10(1), 162-181. Retrieved from https://thejsms.org/index.php/JSMS/article/view/827/443

Parsemain, A. L. (2019). The pedagogy of queer TV. Palgrave.

Pires de Sá, F. (2018). Connected Co-viewing on Facebook: A Brazilian Telenovela and the Perception of Media Realism. Television & New Media, 19(7), 646-659. https://doi.org/10.1177/1527476417741672

Pittman, M. & Tefertiller, A. C. (2015). With or without you: Connected viewing and co-viewing Twitter activity for traditional appointment and asynchronous broadcast television models. First Monday. https://doi.org/10.5210/fm.v20i7.5935

Porter, R. (2023, January 12). Peak TV Climbs Again in 2022, Nearly Reaches 600 Scripted Series. The Hollywood Reporter. Retrieved from https://www.hollywoodreporter.com/tv/tv-news/peak-tv-2022-count-599-scripted-shows-1235298139

Proulx, M. & Shepatin, S. (2012). Social TV. John Wiley & Sons.

Pugsee, P., Rengsomboonsuk, T., & Saiyot, K. (2021). Sentiment Analysis for Thai dramas on Twitter. Naresuan University Journal: Science and Technology (NUJST), 30(1). https://doi.org/10.14456/nujst.2022.2

Punch, K. (2014). Introduction to social research (3rd Ed.). Sage.

Putri, A. D. & Adani, D. (2021). The Influence of Movie Spoilers on Social Media Instagram Towards the Decision to Watch South Korean Drama Shows: Study on SMA Negeri 42 Jakarta. Jurnal Mantik, 5(3), 1494-1497. Retrieved from https://iocscience.org/ejournal/index.php/mantik/article/view/1624/1168

Riebe, L., Girardi, A. & Whitsed, C. (2016). A Systematic Literature Review of Teamwork Pedagogy in Higher Education. Small Group Research, 47(6), 619-664. https://doi.org/10.1177/1046496416665221

Rocchi, M. (2022). Applying automatic text analysis methodologies to audiovisual serial product. Cinergie, 22, 173-187. https://doi.org/10.6092/issn.2280-9481/13501

Roebuck, K. (2011). Social TV. High-impact Strategies. What You Need to Know: Definitions, Adoptions, Impact, Benefits, Maturity, Vendors. Emereo.

Rubenking, B. & Bracken, C. C. (2021). Binge watching and serial viewing: Comparing new media viewing habits in 2015 and 2020. Addictive Behaviors Reports, 14. https://doi.org/10.1016/j.abrep.2021.100356

Ruby, D. (2023, March 1). 63+ OTT Statistics For 2023 (Users, Platforms & Market Size). Demandsage. Retrieved from https://www.demandsage.com/ott-statistics/?nowprocket=1.

Sánchez Castillo, S. & Galán, E. (2016). Transmedia narrative and cognitive perception of TVE’s drama series “El Ministerio del Tiempo”. Revista Latina de Comunicación Social, 71. Retrieved from https://www.researchgate.net/publication/305173082_Transmedia_narrative_and _cognitive_perception_of_TVE's_drama_series_el_ministerio_del_tiempo

Sato, Y., Otake, K., & Namatame, T. (2018). Evaluation of Network Structure Using Similarity of Posts on Twitter. Social Computing and Social Media. Technologies and Analytics. SCSM 2018. Lecture Notes in Computer Science, vol 10914. Cham: Springer. https://doi.org/10.1007/978-3-319-91485-5_24

Schirra, S., Sun, H., & Bentley, F. (2014). Together alone: Motivations for live-tweeting a television series. Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. Toronto. https://doi.org/10.1145/2556288.2557070

Schrøder, K. C. (2019). Audience Reception Research in a Post-broadcasting Digital Age. Television & New Media, 20(2), 155-169. https://doi.org/10.1177/1527476418811114

Segado, F., Grandío, M. M., & Fernández-Gómez, E. (2015). Social media and television: A bibliographic review based on the Web of Science. Profesional de la información / Information Professional, 24(3), 235-245. https://doi.org/10.3145/epi.2015.may.02

Sligh, C. & Abidin, C. (2022). When Brands Become Stans: Netflix, Originals, and Enacting a Fannish Persona on Instagram. Television & New Media, 24(6), 616-638. https://doi.org/10.1177/15274764221134778

Snyder, H. (2019). Literature review as a research methodology: An overview and guidelines. Journal of Business Research, 104, 333-339. https://doi.org/10.1016/j.jbusres.2019.07.039

Taylor, T. R. (2018). Digital space and “Walking Dead” fandom’s Team Delusional. Transformative Works and Cultures, 27. Retrieved from https://journal.transformativeworks.org/index.php/twc/article/view/1180/1772

Thaipisutikul, T. & Tuarob, S. (2017). Beyond the tweets: Discovering factors that influence TV series preferences from ubiquitous social networks. 2017 10th International Conference on Ubi-media Computing and Workshops (Ubi-Media), 1-6. https://doi.org/10.1109/UMEDIA.2017.8074106

Tralli, L. (2012). There’s Nothing Like an English Summer, Is There? Except an English Winter. “Downton Abbey”, a British Cult Tv Series and Its Fandom. Cinéma & Cie, 2. https://doi.org/10.7372/73934

Tralli, L. (2018). Pratiche dell’audience nell’ecosistema narrativo. In G. Pescatore (Ed.), Ecosistemi narrativi. Dal fumetto alle serie TV (pp. 187-211). Carocci.

Tranfield, D., Denyer, D., & Smart, P. (2003). Towards a Methodology for Developing Evidence-Informed Management Knowledge by Means of Systematic Review. British Journal of Management, 14(3), 207-222. https://doi.org/10.1111/1467-8551.00375

Unkel, J. & Kümpel, A. S. (2020). (A)synchronous Communication about TV Series on Social Media: A Multi-Method Investigation of Reddit Discussions. Media and Communication, 8(3), 180-190. https://doi.org/10.17645/mac.v8i3.3046

Vaismoradi, M., Turunen, H., & Bondas, T. (2013). Content analysis and thematic analysis: Implications for conducting a qualitative descriptive study. Nursing & Health Sciences, 15(3), 398-405. https://doi.org/10.1111/nhs.12048

Valero, M. V. (2023, August 16). Thousands of scientists are cutting back on Twitter, seeding angst and uncertainty. Nature. Retrieved from https://www.nature.com/articles/d41586-023-02554-0

Vassallo de Lopes, M. I. (2012). A case study on transmedia reception: Fandom on Facebook and social issues in the Brazilian telenovela “Passione”. Anà lisi : Quaderns de Comunicació i Cultura, 111-132. https://doi.org/10.7238/a.v0iM.1505

Willard, L. A. (2017). From co-optation to commission: A diachronic perspective on the development of Fanish literacy through “Teen Wolf”’s Tumblr promotional campaigns. Transformative Works and Cultures, 25. https://doi.org/10.3983/twc.2017.0894

Williams, A. & Gonlin, V. (2017). I got all my sisters with me (on Black Twitter): Second screening of “How to Get Away with Murder” as a discourse on Black Womanhood. Information, Communication & Society, 20(7), 984-1004. https://doi.org/10.1080/1369118X.2017.1303077

Williams, R. (2018). Tumblr’s GIF culture and the infinite image: Lone fandom, ruptures, and working through on a microblogging platform. Transformative Works and Cultures, 27. https://doi.org/10.3983/twc.2018.1153

Wood, M. M. & Baughman, L. (2012). Glee Fandom and Twitter: Something New, or More of the Same Old Thing? Communication Studies, 63(3), 328-344. https://doi.org/10.1080/10510974.2012.674618


Metrics

Search GoogleScholar



Downloads

Download data is not yet available.

Section

Articles