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Steven Hutchinson e-mail(Login required)

Abstract

81
From its ambiguous stance towards verisimilitude, the Quixote is full of voids, impossibilities, paradoxes and metalepses that play a profoundly creative role in the novel. This essay explores how Cervantes, drawing upon traditions of paradoxical thinking, presents ontological and epistemological voids as a plenitude of being and knowing. He thus exposes and develops the equivocal workings of fiction.

Keywords

Cervantes, “Quixote”, Ficcionality, Verisimilitude

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