Christian Manso e-mail(Login required)

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Christian Manso e-mail(Login required)

Abstract

59
This study aims at highlighting one of the structuring axes –travels/ landscape– behind "Superrealismo", the complex work published by Azorín in 1929. It focuses on the antagonistic notion of invisibility/ visibility through which the author embarked on the surrealistic adventure. The elaboration of "Superrealismo" is the result of a number of articles published beforehand. The genesis of the book can be traced back to these articles.

Keywords

Genesis of Superrealismo, Travels, Landscape

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