Escritura dramática y escritura teatral en Zorrilla. La primera parte de "El zapatero y el rey"

Montserrat Ribao-Pereira

doi:10.15581/008.17.26766

Montserrat Ribao-Pereira e-mail

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Published: Jul 1, 2001

DOI: https://doi.org/10.15581/008.17.26766

How to Cite

Ribao-Pereira, M. (2001).  . Rilce. Revista De Filología Hispánica, 17(1), 79-90. https://doi.org/10.15581/008.17.26766

Authors

Montserrat Ribao-Pereira e-mail

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Universidad de Vigo.

Abstract

71

Zorrilla is a pioneer in the process of the double editing of a play -an editorial product and a spectacular product which his notebooks to the production textually recollect. Conscious of the diverse receptions which “El zapatero y el rey” will be subject of, the writer faces a careful restructuring of the spectacular text before handing ir to the editor. The final result is the deletion of redundant scene foot-notes, and the addition of others where gestures and actions are described, or helping to relate facts with earlier scenes or acts, and the introduction of dialogues.

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Vol 17 No 1 (2001)

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