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Montserrat Alás-Brun e-mail(Login required)

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The purpose of this article is to demonstrate the internal coherence, resulting from a considerable technical preparation, in the modernist novel of José Asunción Silva, De sobremesa, which has been accused by the critics of lack of narrative skills and disorganization in its structure. To do this, a series of structural and symbolic elements that contribute to strengthen the unity of the novel are analyzed.

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