Vol 29 No 2 (2016) | Communication & Society

Published: 2016-06-01

How to apply the multi-strand narrative of American TV shows in a British series: the Downton Abbey’s case

1-16

Paolo Braga

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147) View in DADUN

The location of Robert Capa’s Falling Soldier

17-44

José Manuel Susperregui

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136) PDF (Español) (

86) View in DADUN

Fashion films as a new communication format to build fashion brands

45-61

Paloma Díaz Soloaga, Leticia García Guerrero

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467) View in DADUN

Reference press metamorphosis in the digital context: clickbait and tabloid strategies in Elpais.com

63-79

Dolors Palau-Sampio

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294) PDF (Español) (

222) View in DADUN

Advertising from the perspective of festivals: the present and future of commercial communication in the categories of awards (2013-2014)

81-100

María Galmés, Inmaculada Berlanga, Juan S. Victoria

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145) View in DADUN

Filming the face of death: representations of the perpetrators in S-21, la machine de mort Khmère rouge and The Act of Killing

101-113

Jordi Revert Gomis

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61) PDF (Español) (

30) View in DADUN

From the couch to the desk: study of gender interactions around Spanish TV series on YouTube

117-132

Cande Sánchez-Olmos, Tatiana Hidalgo-Marí

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194) PDF (Español) (

68) View in DADUN

Communicating Corporate Social Responsibility: re-assessment of classical theories about fit between CSR actions and corporate activities

133-146

Nuria Villagra, Miguel A. M. Cárdaba, José A. Ruiz San Román

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203) PDF (Español) (

126) View in DADUN

Quantitative approaches for evaluating the influence of films using the IMDb database

151-172

Fernando Canet, Miguel Ángel Valero, Lluís Codina

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251) View in DADUN

An image is worth a thousand policies: the discursive strategy of electoral campaigns of winning candidates in Latin America

173-191

Natalia Aruguete, Mario Riorda

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90) PDF (Español) (

114) View in DADUN