Published: 2016-06-01

Articles

How to apply the multi-strand narrative of American TV shows in a British series: the Downton Abbey’s case

Paolo Braga

1-16

PDF (215)
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The location of Robert Capa’s Falling Soldier

José Manuel Susperregui

17-44

PDF (259) PDF (Spanish) (121)
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Fashion films as a new communication format to build fashion brands

Paloma Díaz Soloaga, Leticia García Guerrero

45-61

PDF (1817)
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Reference press metamorphosis in the digital context: clickbait and tabloid strategies in Elpais.com

Dolors Palau-Sampio

63-79

PDF (507) PDF (Spanish) (375)
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Advertising from the perspective of festivals: the present and future of commercial communication in the categories of awards (2013-2014)

María Galmés, Inmaculada Berlanga, Juan S. Victoria

81-100

PDF (297)
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Filming the face of death: representations of the perpetrators in S-21, la machine de mort Khmère rouge and The Act of Killing

Jordi Revert Gomis

101-113

PDF (128) PDF (Spanish) (67)
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From the couch to the desk: study of gender interactions around Spanish TV series on YouTube

Cande Sánchez-Olmos, Tatiana Hidalgo-Marí

117-132

PDF (286) PDF (Spanish) (114)
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Communicating Corporate Social Responsibility: re-assessment of classical theories about fit between CSR actions and corporate activities

Nuria Villagra, Miguel A. M. Cárdaba, José A. Ruiz San Román

133-146

PDF (313) PDF (Spanish) (140)
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Quantitative approaches for evaluating the influence of films using the IMDb database

Fernando Canet, Miguel Ángel Valero, Lluís Codina

151-172

PDF (440)
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An image is worth a thousand policies: the discursive strategy of electoral campaigns of winning candidates in Latin America

Natalia Aruguete, Mario Riorda

173-191

PDF (219) PDF (Spanish) (159)
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