Vol. 26 Num. 1 (2010): "Break with sweet numbers the song": Homage to Antonio Carreño (Chad J. Leahy and Antonio Sánchez Jiménez, eds.)

This journal has 6 months of embargo.

Published: 2010-01-01

Initial Pages

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22)

Antonio Carreño (Parada do Sil, Orense, 1938-)

1-9

Antonio Sánchez Jiménez

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433) View in DADUN

Second Sally of “A Passage from the Quixote”: Literality, Translation, Meaning

10-22

José Amor y Vázquez

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177) View in DADUN

The Image of Power in the Theater of Bances Candamo, Court Poet of Carlos II

29-36

Ignacio Arellano

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78) View in DADUN

Military Prudence: The Captain and the Soldier in Huarte de San Juan’s Examen de ingenios

37-51

Luis F. Avilés

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842) View in DADUN

The “Other” as Definer of “Self” in the Golden Age: The Imagological Strategy

52-61

Santiago Fernández Mosquera

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364) View in DADUN

The Mercedarian’s Smoke: American Dessert in La villana de Vallecas

62-73

Enrique García Santo-Tomás

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93) View in DADUN

Góngora’s “romance” in El príncipe constante de Calderón

74-96

Luis Iglesias Feijoo

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510) View in DADUN

Quintana and the Reassesment of “romancero”. Archeology of a Mistaken Paradigm, with Góngora Behind

97-117

José Lara Garrido

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49) View in DADUN

The Image of the Theorizing Humanist: The Metapoetic Poetics of Lope de Vega (in a Filigree of Sonnets)

118-38

Yolanda Novo

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2143) View in DADUN

La verdad sospechosa: Lying and Dramatic Structure Once More

139-56

Geoffrey Ribbans

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754) View in DADUN

Suspension as Aesthetic Act in Golden Age Letters

157-67

Elena del Río Parra

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193) View in DADUN

The Lighting Bolt and the Eagle: Truths and Abstractions in a Sonnet of Góngora

168-86

Joaquín Roses

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759) View in DADUN

Traduttore, traditore!: El castigo sin venganza of Lope de Vega in Russia

187-201

Veronika Ryjik

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280) View in DADUN

Cervantes Reader of Xenophon and the Obras de Xenophonte Translated by Diego Gracián

202-13

Lía Schwartz

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488) View in DADUN

The Rude Pan-Pipes of Polyphemus: Self-representation and Parody in Góngora’s Fábula de Polifemo y Galatea

214-30

Julio Vélez-Sainz

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700) View in DADUN

The Unpublished Texts of Don Quixote

231-42

William Worden

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83) View in DADUN

End Pages

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340)

Initial pages

Initial Pages

Articles

Antonio Carreño (Parada do Sil, Orense, 1938-)

Second Sally of “A Passage from the Quixote”: Literality, Translation, Meaning

The Image of Power in the Theater of Bances Candamo, Court Poet of Carlos II

Military Prudence: The Captain and the Soldier in Huarte de San Juan’s Examen de ingenios

The “Other” as Definer of “Self” in the Golden Age: The Imagological Strategy

The Mercedarian’s Smoke: American Dessert in La villana de Vallecas

Góngora’s “romance” in El príncipe constante de Calderón

Quintana and the Reassesment of “romancero”. Archeology of a Mistaken Paradigm, with Góngora Behind

The Image of the Theorizing Humanist: The Metapoetic Poetics of Lope de Vega (in a Filigree of Sonnets)

La verdad sospechosa: Lying and Dramatic Structure Once More

Suspension as Aesthetic Act in Golden Age Letters

The Lighting Bolt and the Eagle: Truths and Abstractions in a Sonnet of Góngora

Traduttore, traditore!: El castigo sin venganza of Lope de Vega in Russia

Cervantes Reader of Xenophon and the Obras de Xenophonte Translated by Diego Gracián

The Rude Pan-Pipes of Polyphemus: Self-representation and Parody in Góngora’s Fábula de Polifemo y Galatea

The Unpublished Texts of Don Quixote

End pages

End Pages